![CREATIVE COMPOSITES](https://cdn.magzter.com/1493634946/1657535461/articles/Wd-jSy0RF1659525406139/CREATIVE-COMPOSITES.jpg)
Compositing is actually not a new concept – it has been a part of the photo editing process since the days of film photography. In decades past, it was still possible to seamlessly blend image components together in the dark room, only this was done by physical means, rather than electronic. With the onset of digital imaging and photo-editing software such as Adobe Photoshop, the possibilities for believable image blends are more accessible than ever before.
The potential uses are wide-reaching and in the modern marketplace, there is an almost insatiable appetite for photorealistic compositing work. From environmental portraiture to product photography, landscapes, advertising and property, it is a skill that finds uses in almost every line of contemporary genres.
Compositing is a broad term, covering everything from simple sky replacement – a step taken by landscape photographers for as long as photography has been around – to high-end selections and rendering. In some cases, the use of computer-generated elements blurs the boundaries between photography and digital art. While this can be off-putting to many professional photographers, far from being a purely artistic endeavour, it is a highly pervasive style trend.
Getting to grips with compositing will not only open up practical benefits but can also lend a particular look to images, which can help set your work apart from the competition and generate demand for your commercial imaging. So, let’s explore the essential skills you’ll need to become a compositing expert.
Why create composites?
Diese Geschichte stammt aus der Issue 255-Ausgabe von Digital Photographer.
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Diese Geschichte stammt aus der Issue 255-Ausgabe von Digital Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
![Apply a stylised detail enhancement](https://reseuro.magzter.com/100x125/articles/15273/1725287/6871W71c91717750228538/APPLY-A-STYLISED-DETAIL-ENHANCEMENT.jpg)
Apply a stylised detail enhancement
Give your photos a movie aesthetic with the bleach bypass effect in Photoshop
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Sony FE 16-25mm f/2.8 G
Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range
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Nikon Z 28-400mm f/4-8 VR
This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
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Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
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OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
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How do I get into events photography?
Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
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Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
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My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
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Create wet plate portraits
Recreate the collodion process for enhanced detail
![Fine-tune colour and saturation](https://reseuro.magzter.com/100x125/articles/15273/1725287/QVvLL1XBg1717750540369/FINETUNE-COLOUR-AND-SATURATION.jpg)
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots