01 BEACH LIFE For this group portrait, the bright sun has backlit the family and grasses perfectly, but a very fast exposure was required.
Lens Canon EF 50mm f/1.2L USM
Exposure 1/4000 sec, f/2, ISO100
HEARING Catherine O'Donnell talk about how she moved into photography after a successful career in magazine journalism, you can almost imagine her being described back then as "the accidental photographer". She prefers to use the word "serendipitous" when explaining the sequence of events that took her from editing an in-flight magazine for TUI ("Ironically, I'm quite scared of flying") to taking pictures at a friend's wedding in Menorca, which led to her first wedding photography commission. "I'd always taken pictures but I'd never ever considered it as something I could do as a career," she says when recalling that first paid shoot. Up until then, Catherine had used some of her photos as reference studies for paintings, but the success of that wedding made her re-evaluate her photography. And that's not all. While photographing the guests, there was something else - correction, someone else - she saw while looking through the viewfinder who was to have an even greater impact on her life and career. From that moment, Catherine's photography and personal life would become inseparable...
Was painting your first love in terms of artistic expression?
Diese Geschichte stammt aus der July 2022-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der July 2022-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!