Rumor has it that not too long ago, in a major city somewhere in the world, a handful of selected people made their way to an unmarked door in a hidden-away alley. If you knocked on the door three times, a small panel slid open, but there was only darkness beyond the hole.
For those lucky enough to know the password (“Bokeh”), the door opened silently, revealing a hallway to a dimly lit room known only as “Thunderdome Junior.” In that room, four fierce competitors waged an incredible battle to the death. Each of these warriors was so convinced that they would emerge victorious that they were prepared to stake it all - fame, fortune, limb and even life - for a chance to win the one elusive prize they all desired: the title of “The Best.”
OK, I’m sorry. I can’t live this lie anymore. This is actually just a humble article that compares four camera lenses. To be sure, they’re great lenses, but the concept of a lens showdown doesn’t pack quite the same amount of pep or pizzazz as a Wrestlemania-style rumble between four fighters, does it? I suppose we can always imagine that these lenses are duking it out, though, right? I shall be indulging in this fantasy for the rest of this article, and I invite you to do so as well.
The four lenses that we’ll be looking at are all 70-200 mm lenses (or equivalent), and they represent four of the leading options for professional or serious amateur photographers looking for an amazing all-around zoom lens. Because these are four of the best lenses on the market right now, we can certainly say that there are no losers here.
Diese Geschichte stammt aus der Issue 123-Ausgabe von Photography Masterclass Magazine.
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Diese Geschichte stammt aus der Issue 123-Ausgabe von Photography Masterclass Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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THE LOWDOWN ON THE SIGMA 15 MM F/1.4 ART FISHEYE LENS FOR SONY
Still, I don't want you to think I'm trying to give you the ol' bait-and-switch, so I'll say right from the top that this lens is quite pricey, and it's certainly not for everyone.
FEATURED PHOTOGRAPHER: DINA BELENKO
In this issue, we interview Dina Belenko, the conceptual still life photographer whose work transcends the boundaries of imagination.
PROVEN TECHNIQUES FOR CAPTURING THE BEAUTY OF FIREWORKS
Snapping the perfect shot of a fireworks display involves more than just pointing and shooting.
7 REASONS TO USE A DEDICATED CAMERA INSTEAD OF A SMARTPHONE
Nearly all of us us have a smartphone in our pockets and the included cameras have led to a real explosion in photography.
7 COMPOSITION TIPS THAT WILL IMPROVE YOUR PHOTOS
If you've wondered why some photos just look better, one of the secrets is often the composition.
THE LOWDOWN ON THE CANON EOS R50 MIRRORLESS CAMERA
An ideal camera for entry level photographers on a budget
FEATURED PHOTOGRAPHER: DAVID WRAGG
In this issue we featured David Wragg, an English automotive studio photographer. David caught our eye when he shared one of his images with us on Facebook where he captured the sleek curves of the front end of a classic Jaguar E Type.
MASTERING SPORTS PHOTOGRAPHY: TECHNIQUES FOR CAPTURING THE ACTION AND FREEZING THE MOMENT
Sport is such a broad and encapsulating term. People across the world love playing and watching a huge variety of sports – from tennis, through football and formula one; every sport will appeal to someone.
THE BENEFITS OF SHOOTING IN APERTURE PRIORITY MODE:
How Aperture Priority can help you achieve creative control over depth of field
EXPLORE YOUR CREATIVITY AND GET OUT OF YOUR COMFORT ZONE
Whether you’re a professional photographer or just enjoy taking images as an amateur, it’s easy to fall into a comfort zone of always shooting the same thing.