CD Projekt Red recently unleashed The Witcher 3: Next Gen, a big ole 4.0 update with new items, quests, graphical enhancements, a revamped camera, and ray traced lighting that nobody’s GPU can handle. It was, of course, time for a replay, and I’m obsessive and neurotic about these enormous RPGs where choices carry from game to game, so replaying The Witcher 3 means replaying The Witcher saga. I tore through The Witcher making the same choices I always do (what kind of hall monitor sides with the Order of the Flaming Rose anyway?) and arrived at The Witcher 2: Assassins of Kings.
This is the game that put CD Projekt on the map, a graphical powerhouse that laid rigs low with übersampling. It’s a memetic icon of RPG choice with two completely different second acts! Amidst the rise of tablets, the ascendancy of the Xbox 360, and a premature declaration of “the death of the PC,” The Witcher 2 said, “PC gaming ain’t going anywhere, baby.” But I’ve got a horrible, terrible, unspeakable secret: I just don’t like this one very much.
The Witcher 3: Wild Hunt is easily one of my favourite games. It’s one they hand you with your PC gamer card alongside Half-Life and Doom for a reason. The Witcher, meanwhile, is a wonderful, ambitious, Eurojank throwback. A charismatic relic that, despite a notoriously botched English translation, still has that wonderful pagan rites meet the Brothers Grimm vibe I’ve come to demand from the Witcher-verse.
Diese Geschichte stammt aus der May 2023-Ausgabe von PC Gamer US Edition.
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Diese Geschichte stammt aus der May 2023-Ausgabe von PC Gamer US Edition.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Special Report- Stacked Deck - Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big.
Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big. Four years later, its successor Inkbound’s launch from Early Access was looking more like Sandwich Big.I’m not just saying that because of the mountain of lamb and eggplants I ate while meeting with developer Shiny Shoe over lunch, to feel out what the aftermath of releasing a game looks like in 2024. I mean, have I thought about that sandwich every day since? Yes. But also, the indie team talked frankly about the struggle of luring Monster Train’s audience on board for its next game.
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