When The Orb and David Gilmour came together over a decade ago to produce the two-part, 49-minute ambient soundscape dubbed Metallic Spheres in 2010, there almost seemed to be a bit of unfinished business attached to what we were hearing-and now we know why. To take that music to the next level, original Metallic Spheres producer Youth recast it in Dolby Atmos as a more concise 40-minute edition duly renamed Metallic Spheres in Colour (Columbia/Legacy). In a recent Zoom interview, Youth and I discussed how Metallic Spheres morphed into its current full-bodied Atmos Colour and shape, what notable Orb song seems ready-made for an immersive remix, and what else he'd like to mix in Atmos next. (A longer version of this interview appears in my monthly Spatial Audio File column on the S&V site.)
Mike Mettler: The idea of 360-degree recording was something you and Alex Paterson [co-founder of The Orb] had already discussed amongst yourselves. Tell me more about the time you guys decided, "Hey, we gotta record this way."
Youth: Yeah, I mean, before "3D60" came along, or Atmos, we-along with our engineer Greg Hunter-were always trying to find ways to get a more 3D sound into the stereo mix. And that would include using Doppler boxes, or trying to create a Doppler effect with passing jets or cars. We were using binaural microphones, which is a big part of the Atmos 3D60 experience. That, and just some extreme, clever panning of details.
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Diese Geschichte stammt aus der December 2023 - January 2024-Ausgabe von Sound & Vision.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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The Big Clean
Chances are you probably do not think about the state of your electronic devices too often. Oh, you might think about all the upgrades you would like to make; where you would put those new tower speakers, or how a second or third subwoofer would really tame those bass modes in your room, or how much more cinematic a larger screen would be. Sure, you think about that part of your system. But how often do you think about the well-being of your system?
Planar-Magnetic Attraction
THE DIPTYQUE DP 115 speakers are a new model 2-way, ribbon, and planar magnetic driver dipole \"isodynamic\" speaker system designed and built in France.
Full-Featured 4K
THE QN95D is one of two televisions we went hands-on with on a recent trip to Samsung's New Jersey QA Lab, the other being the S95D quantum-dot OLED.
Party Animal
FOR ANY party, the Soundcore Boom 2 Plus Outdoor Bass Bluetooth Speaker is an essential invite.
It's the End of the World. How About Popcorn and a Movie?
Attention all preppers! Today's column is right up your alley-or, more precisely-your tunnel to your underground bunker.
Bridging the Analog-Digital Gap on a Recliner
When I shopped for a motorized recliner, I rejected models with their own Internet Protocol address and built-in speakers. No need. I had already placed a smart speaker on an étagère beside the space where I had planned to put the chair. I'd have a smartphone in my hand and the room would be bathed in Wi-Fi.
BACK TO THE GARDEN
AN AQUARIAN EXPOSITION in WHITE LAKE, N.Y.
Big Sound, Small Price
DOLBY ATMOS, once a costly premium, is enjoying a surge of popularity across a range of new audio gear.
Classic Sound with Streaming Smarts
THE TWENTIETH century had its Roaring Twenties; welcome to the twenty-first's Streaming Twenties.
Stand and Deliver
IT DOESN'T seem all that long ago that SVS first entered the audio scene.
