‘THOR: LOVE AND THUNDER’ IS PURE BONKERS FILMMAKING

REVIEW - THOR: LOVE AND THUNDER

The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of his planet, a boozy sidekick, a huge dog, pal Hulk having a panic attack and the death of his father.

It was Taika Waititi filmmaking at its most intense, with slo-mo sauntering, stupid antlered headdresses, slicing swords and laser cannons, capes and undead soldiers, a hair-cropped Thor, a typically unbalanced JeffGoldblum character, a prophecy, alien spacecraft and lots of Led Zeppelin.

If you thought that was bananas filmmaking, its sequel is the whole fruit basket.

“Thor: Love and Thunder” — a rare Marvel fourth installment for one character — has giant bleating goats, a horrible Zeus, children in cages, space dolphins, Jodie Foster jokes, teddy bears with laser eyes, an Old Spice commercial parody, Natalie Portman headbutting a villain, blue aliens and lots of Guns N’ Roses.

Waititi is back as the co-writer, director and the voice for the stony Korg, with Chris Hemsworth as our space Viking, a man who really needs to get more credit for taking Thor over the years from glum to hysterical. His ability to pronounce superhero things dramatically and then become a goofball is endlessly endearing. Also back are Tessa Thompson as Valkyrie and Jaimie Alexander’s Sif.