Art Observer is once again sharing the activity-loaded issue to prove that artists in different parts of our country are full of enthusiasm and creativity. The fear of Omicron is there but taking all precautions the exhibitions and Art Camps are being organized to keep the morale of the artists high.
A National Painting Camp was organized at Srinagar by the Jammu & Kashmir Academy of Art, Culture and Languages the event was part of - Azadi Ka Amrut Mahotsav.
ekAtm-Assimilated in One show revealed some amazing works of hard-working artists. 
An ancient trend of ‘guru shishya parmpara’ was shown through one day workshop at artist Roop Chand’s Art Centre, Gurgaon.
A National webinar on Basohli school of painting. Art Observer has shared some details in the article.
An article on A. Ramachandra, a living legend and a Padma Bhushan awardee. Alka Harpalani’s article on Kavita Nayar has touched upon some styles and themes that the artist is known for.
D. S. Kapoor has very meticulously traced the long journey of an icon - Dr. M. S. Randhawa. 
In Conversation, this time we present an unassuming daughter of a well-known artist and teacher, R. K. Jain. She shares the achievements of her father with our readers.
In this issue, Pooja Gupta is mentioning a few details on the Japanese art of flower arrangement. 
Readers will certainly enjoy this article with illustrations. Art Observer shall continue to bring art to the forefront in different forms to be shared by all. Happy reading!

When any art wears a cloak of professionalism and serves the public in general, it connects people, and aesthetics seep in very subtlety. This has been observed in the costumes designed by Sandhya Raman for the 73rd Republic Day Parade. The recognition of Sandhya’s work is a big step by the Ministry of Culture to give a platform to professionals of creative fields.
Two artists, Meena Yadav and Nawal Kishore have established themselves through immense dedication and sincerity. The works shared on the pages of Art Observer permit us to study the themes of their works and understand the strokes and colours used by them.
Art collectors of the past have played a prominent role by providing information on the influences on our art scene of a particular time at a particular place. Marble Palace of Kolkata is one such treasure house that has been well highlighted by Jyotika Basak.
An extremely renowned Printmaker, Jagmohan Chopra’s journey in his field has been recalled very passionately by our regular contributor, D S Kapoor. The art revolution in city beautiful could have never been the same without Jagmohan Chopra’s unusual art.
Sachin Kothari, a miniature artist of Udaipur is putting in all the efforts with utmost sincerity to keep it alive in India and other countries. In Conversation, I have shared the lifestyle and struggles of an artist through a very candid interview. Sachin’s work and continuous efforts to coach the new generation deserve a huge appreciation.
 An article on Santhal Art by Alkaa Khanna has given in-depth information on style, theme and materials.
Art mediums are adding to the new phase of experiments in creating pieces of art. Pooja Gupta’s well-researched piece on this topic adds to the richness of Art Observer.
How can we not add a crossword to revise our knowledge and always learn more? Yes, our crossword on drawing and materials completes this issue.
Till we bring more to the next issue, enjoy reading!

Out of many aspects of nature, flowers have surfaced as a significant part of several compositions. From realistic to still life compositions, flowers have been greatly admired by art lovers. As a part of design all over the world, floral motifs have always dominated. ‘Floral motifs in design and art’ is an interesting article that explains the floral motif as an integral part of design in textile, painting and architecture.
The article on unforgettable works of Ramkinkar have woven an interesting story of his contribution to Indian contemporary sculpture
Prof. D. S. Kapoor has given an in-depth information in his article on this topic that may interest many readers.
The unique history of Kerala Murals reveals the art of skill and creative excellence. These are part of many buildings throughout the state, be it a church, temple or a palace. Find more details on the last page.
Dr. S. S. Bhatti is one such legendary figure who has influenced many and is truly a multifaceted personality. Charanjit Singh Shah has very fondly penned an article on his mentor, Dr Bhatti.
Readers will find it very exciting to know how Aryan Heritage Foundation is bringing Sampurn Ramayan to multiplexes to make the epic memorable.
Art Observer is once again adding to the knowledge of readers by providing an interesting crossword on Contemporary Art styles. 
Covering the exhibitions and shows on art. Tapan Dash’s works on display and Artistagram’s group show tell us the story of success of several artists in the field of visual arts.
Each issue is the portfolio of good works of art, presented through writing and beautiful photographs. Thank you, the reader, for taking time to browse through our pages and we hope you find it educative, informative and aesthetically appealing.

Goddess Durga descended the Earth on Mahalaya which is celebrated by Bengalis all over the world. The festival is associated with different practices like invoking the goddess 'Mahisasura Mardini' with mantras- 'Jago Tumi Jago' This is called 'Chokkhudaan'. 
Embroidery is one such craft that reflects the diversity of cultures in our country. This art had started dwindling in the past but fortunately, many NGOs have taken the initiative to keep it alive, pass it down to the younger generation and provide some livelihood to the craftsmen (many are women). 
D S Kapoor's scholarly inputs are always unique and full of information. His article on Ramgarhia's Virasat not only makes us proud but also puts Indian cultural contributions on an elevated international platform. 
In this 21st century we have seen Art marrying Science and during pandemic, it opened many portholes/windows. 'Art Courses for the New Age' is a step forward to guide the youngsters to bring scientific approach to their art and meet the demand of the day. The Digital Art and Illustration courses are answer to many who are trying to keep pace with the technology in changing times.
Once again, we bring to you a rare and versatile personality who has made name in the field of theatre- Harish Bhatia. I have had the privilege of working with him on stage and can boast of picking up many nuances on acting from his vast experience. Acting and directing come to him with equal spontaneity'. In the Conversation' permitted me to ask all related questions and his honest replies are enough to invoke the interest in theatre in many youngsters. Having been a professor at the Engineering College, he continued his quest for theatre and made it fruitful.
Art Observer believes in genuinely observing the ongoing art scenes and give special coverage to contemporary artists. 
Culture, theatre, traditional crafts, art education and heritage, we have layered it all for you to read and enjoy.

Welcome to the eleventh issue of Art Observer. We have learned to struggle and face the continuous attacks of COVID and are thriving on virtual shows and workshops. The endemic has certainly effected the artists, art critics, and art admirers to quite an extent.
We strongly believe that if we are passionate, tenacious and ready to work endlessly, we can fight all odds and we can continue to ‘tell’ stories not made up of words but composed of shapes, colours and materials. Art Observer is always ready to observe and cover them all.
Kolkata is known for deep rooted culture and its artistic connect is reflected in day to day life. Jyotika Basak has encapsulated the Art heritage of this beautiful city in her article.
The art of tattooing has become quite a trend in fashion in the 21st century. D. S. Kapoor has gathered enough information to share the details of this Body Art.
When an artist steps into the world of art to establish oneself, there is always a looking back to connect with one’s teacher/mentor who gave the basic tips. Sakshi Bajaj is on one such trip, full of nostalgia while writing about Jyotika Sehgal. 
According to Psychologists there is very thin line between the creative process and the healing process when one goes through pain and agony. Simret Singh has penned down her feelings very sincerely.
Our regular feature, ‘In Conversation’ has covered a renowned artist Navin Talwar whose photographs speak convincingly. In this article, he shares his vast and rich experience to give tips to the younger generation.
This issue has enriched itself with the information on the art of Kalamkari. Painting on the wooden panels was done in the past and even today.
Picasso very appropriately said, ‘Art washes away from the soul the dust of everyday life’. Believing in this let us continue with our endeavours in such challenging times and look forward to a brighter tomorrow.

Goldy Malhotra

Online tasks are annoyingly becoming our lifestyle. There had been a notion that the Artist community is not so tech savvy but necessity has proven to be the mother of invention and today artists are not only connecting with the society through new techniques but also creating and exhibiting with the help of this 21st-century gift to the civilization.
An outlet of expression if not transformed into Art by the creator, can suffocate and make existence miserable in times like these when we are compelled to maintain social distance to stay alive.
No Boundaries is brief coverage of the sculptures and paintings exhibited in Kolkata. Academy of Fine Arts, Kolkata as always, has played a very prominent role by showcasing the old masters' works that have enriched our culture and heritage.
Isolating in their own hubs has given an opportunity to senior writers, art historians and teachers to dig into their old treasures and sift out some nuggets to be shared with the readers. D.S. Kapoor has very laboriously researched and presented his article on The 64 Kalas- Chatuhsashti Kala that throws light on all the arts as per our old texts.
Articles on Kala Sutra, Jharokha by Smita Jain, and exhibition of paintings and photographs have made this issue rich with creativity and given us a hope that optimism always guides us to climb higher no matter what the circumstances be.
Another offbeat article on ‘Visual Art and Music is one of its kind and this so called ‘Tango’ has once again proven that all arts at the higher level unite and complement each other.
Future is always seen through the lens that gives a clear picture of upcoming, budding artists and in this issue, you come to know to appreciate the efforts of multifaceted Mauraya Sharma- a very young filmmaker and theatre artist.
We are fighting fit to carry on and let us hope the next issue brings with it the colours of joy and victory over wretched Corona.

Schools and school education have always been matter of great concern. The foundations of learning, grooming and career options are all laid in the school and for the past one year, parents, teachers and students have gone through a great turmoil due to the pandemic. On top of that the new National Education Policy (NEP) has raised many questions in the minds of parents. The long-awaited new changes are making us optimistic to hope that the integration of Arts in other subjects will not only open the minds of our children but also showcase our rich cultural heritage for the younger generation to learn from. To know about the implications of new teaching methodology and many related issues, I decided to chat with Dr Jyoti Bose who is already a strong believer of giving due importance to Art in Education. 'In conversation' has covered it and has offered many solutions to today's teachers. Prof. D S Kapoor has always shared his knowledge on Art Education at the higher level.
Our coverage on Art shows has given ample opportunity to the already established as well as younger artists to show their works to the public and get recognition at different levels
In creation of any piece of art, material and medium play an equally important role as the theme or style. A responsible artist is always choosy of material because that determines the quality and durability. Pooja Gupta has elaborated her findings on use of linseed oil. 
Joyita Basak takes you along to show an impressive display of Bengal Art in a museum in Dalhousie in her article-Ami Kolkata museum. Art Observer giving due importance to the traditional and Folk arts of India has covered Gond Art in this issue.
Taking you down the memory lane is -A tribute to Jagmohan Chopra, former Principal, College of Arts Chandigarh.
Our contributor, Alka Chadha Harpalani has elaborated the participation of committed artists in a workshop. The variety of styles and themes is beautifully woven with the green surroundings.

Without dampening their spirits, ready to face any situation and work ceaselessly, the artists have been fighting fit. The virtual shows, conferences and workshops have given another angle to today's showbiz. 'Art Observer' has interacted with many artists, art-teachers, writers and students who are working hard to overcome all the hurdles and keep the flag of creativity high.
It was a matter of great pride for all the artists and well wishers of Roop Chand to attend an informal award giving ceremony at the National Art Centre, Gurgaon when the senior artist was personally awarded by Dr. Sanjay Gupta, the Vice Chancellor of World University of Design.
An article on Victoria Memorial will take you along to witness the heritage of our country. Such masterpieces of the past always make us proud and throw light on the dedication of creators.
Professor D. S. Kapoor's detailed information on the prestigious institutions of design can help many aspiring students to find their track. His information on Art Colleges, provided in the July issue was highly commended. We Hope this article proves to be equally helpful if not more.
Artists' imagination can take any direction and why not! Yes, using coffee as a medium for painting and painting wet fabrics to add to the value and style of fashion are two interesting features covered in this issue.
The gallery-hopping to cover the shows has been a regular ritual for us and we have done full justice to the shows this time as well. Crossword on Art by Pooja Gupta is a brain tickler and adds to the knowledge of many.
Enjoy reading this issue. Wishing you all easier and safer times ahead.

Goldy Malhotra

COVID 19 has put everything out of gear and what was never imagined before has appeared in front of us as a giant. Artist community has not been spared. Artists being super-sensitive, having bare nerves deal with life in their own unique manner. This issue of Art Observer has covered that largely. Art is Life shares viewing experience of many galleries and collaboration with museums overseas bringing eminent personalities in forefront.
Rajesh Sarovar artist has studied the human struggle for existence in his own larger than life display infused with colours. An article on his work is a story of artist's journey as well.
We share with you how the works of nine Bangladeshi artists launched by The Durjay Bangladesh Foundation have not only gone global but also share role of the art in dispelling the fear and anxiety in uncertain times.
Art Observer has displayed the unique embroideries of Anuradha Bhaumik as well as the classical art of Tanjore painting with details on themes and techniques.
Michelle Poonawala's show at Tao Art Gallery, Mumbai was the first post COVID exhibition covered by Subhra Majumdar in this issue. Both online and physical visit have added importance to the show.
We have already covered the visual and performing arts in our previous issues. Architecture cannot be left out being a most important amalgamation of all arts resting on strong foundation of Science and Mathematics. In Conversation with the Progressive Architect, we have covered the achievements of an eminent, internationally acclaimed and most humble architect-Dikshu Kukreja.
Collage-making is an art based on different kind of thought process that emphasises putting bits and pieces in order to create something, a very therapeutic aesthetic endeavour indeed!  Alka Chadha Harpalani's article gives details of such efforts put in by some artists during the lockdown.
Wish you all better time in the coming year. Hope to see the art activity soaring high with happiness around.

The COVID-19 pandemic has necessitated a rethinking of our work schedules. The uncertainty of things happening has added to the panic that is making it difficult to lead a normal life. An artist already known to be super sensitive needs to save his raw nerves more cautiously. No wonder most of the artists are diverting all their energy to creativity. We are receiving the pictures of amazingly wonderful works done by artists from different parts of India. Understanding well that it is not possible to exhibit the works in galleries in such difficult days, we at Art Observer believe in giving full moral support to the artists to keep them going. For many it has become almost therapeutic and we appreciate the outpour that is honest, brilliant and vibrant. Art works of some artists are full of expression and style of execution. Falguni without being symbolic or philosophical, has dealt with the contemporary theme very directly that is as good as recording in a diary. Readers are sure to enjoy the diversity of styles in all these works by the artists.
Dr D S Kapoor, an eminent artist and educationist has very laboriously guided the young generation to understand the prospects of fields related to Arts. He has not only given the history of prestigious Art institutions but also dealt with the details of curriculum offered to the students. Many will be able to get the answers to questions resting in their heads.
Indian culture boasts of its Folk Arts and crafts. The articles on Kalamkari and Mithila painting show the diversity in our rich tradition.
Simret Singh has gone deep into the psychological and philosophical convictions that deal with the signs and symbols in paintings. Readers interested in Art history and meaning of Art will certainly nod their heads and agree with the author while reading the examples explaining her point of view.
Hoping to enrich the pages of Art Observer with colour and content in future as well. Till then, look after yourself.

Goldy Malhotra

There is a very thin line between the Visual Arts and the Performing Arts. In fact, these arts complement each other and are well integrated. This issue presents an exceptionally talented, classical dancer, the creator of Sufi Kathak, Manjari Chaturvedi. 'In the Conversation', this artist shares how her struggle to achieve her goal made her realise that 'it is good to have an end to journey towards; but it is the journey that matters in the end'. Readers will enjoy to read about the synthesis of grace, calm and sensuality.
Mother nature's palette is a rich source of inspiration for any artist. When a colour dominates in the imagination of a creator, it's bound to reappear on the canvas and envelope the viewer. An article 'Plants on Canvases' by Pooja Gupta is all about the nature's beauty mingling with the colours.
What lies in a title is an in-depth study of thematic content of any piece of art by Simret Singh.
’Rang Matir Pachali’ is another article that takes us on a trip to an unusual exhibition during these days of lockdown.
Shanker Art Foundation's deep concern for the creativity among children has encouraged a huge participation of young ones in working on collages for a competition. Alka Chadha Harpalani has studied these Collage entries and shared her comments.
In our previous issue, we had covered the exhibition of 200 masks painted by artists from different parts of India. The thematic and stylistic analysis of some of these masks has made it possible to reveal what lies beneath the mask. It's a study of artist's thought process and the technique.
It all starts with a state of mind and during these days filled with anxiety and boredom, we are compelled to go back to our childhood and share the experience of past with children by engaging in some indoor games like Ludo and Snakes & Ladders. On the same lines, Prof. D. S. Kapoor's creation of highly educative game is shared with you to have fun and spread the message of awareness.

Now that Corona does not seem to be leaving us that soon, the life style of most of us has changed. Already restricted movement has compelled everyone to look within and utilise the time for creativity.
We are getting good response from many artists who are able to devote more time to their art and share with us.
Our experienced contributors are giving details on art forms, trends and the psychology of artist behind.
Sitting at home you can enjoy the history and visuals of some rare museums and galleries. Article on  Thakur Bari will take you to the times when talented members of Tagore family made it part of Art history.
A write up on the ultimate artist Roop Chand mentions his vast and varied works, his humanism that speaks of his multifaceted genius. A journey that was not easy but has no regrets.
Enjoy reading.

The opening article of this issue is a tribute to Satish Gujral, a legend whose life was not a normal journey but he set milestones of destination at every bend of road. There can never be another artist like him, an institution in himself.
The 'Real' in painting - an essay deals with thematic and stylistic presentations following norms of art principles understanding artists's imaginative consciousness.
'Ghare Baire' an exceptional Art Museum in Kolkata is a real treat to be shared with the readers and so is the Sweden's TellusArt Residency at a village in Uttarakhand.
'WOW (white on white) show' forcefully displays mono colour challenges expressing less is more. In Suryastnata Mohanty's words there is the possibility of seeing all colours in white. It takes us closer to Physics dealing with light.
In these trying times, Corona warriors are doing their best to make the country Corona free. The lockdown period has not been easy for anyone, but artists sometimes give their best under stress. Here, we share some of the works of artists from different cities who are working in the grip of Corona and talk about their creativity and experiences. Another article on Child Art also mentions the art activity as a great stress buster for children during this period of social distancing.
Creativity can never be locked, art is flowing from all directions. Paintings, collages, sculptures and articles on art are being shared like never before. Planning for post lockdown is also in full swing as many galleries have already prepared their calendars, waiting for the world to start normal life. It's another matter that the 'normal' will never be the normal life. We shall carry the heavy load of unprecedented phase on our shoulders for lifetime. This will definitely show in the works of artists to become part of Art History.
Hope to share our next issue in better times.

Art Observer is dedicated to the wide spectrum of visual and performing arts.Efforts have been to share and showcase aesthetically appealing creations to all the ‘rasiks’. This journal is also a platform for the aspiring and talented artists to reveal their works and express their views.
This issue has covered some prestigious, innovative and inspiring exhibitions that have made a mark. The National Kala Mela 2020 held at Lalit Kala Akademi, New Delhi, exhibition of renowned artists at Sanchit Art, New Delhi, An unusual exhibition of thread work -  ‘Bakhiya’ that has symbolised the Sufi meditative activity compels us to look within and start embracing imperfection in day to day life. Breathtakingly beautiful and candid works of Idris are revealing the dedication of a photographer trying to freeze the images in time. Mahmood Ahmad’s transformation from vibrant landscapes in acrylic to drawings of female form in black and white is stunning indeed.
One always likes to read about the great masters and learn from their experiences on their path of achievements. When it comes from a son the old memories become pure reverence. It definitely takes us closer to the artist to understand his paintings better particularly when they are on mystical themes.
Shabir Hussain talks about his father the legend- G R Santosh ’in the conversation’.
On similar lines, D S Kapoor’s article on Sardari Lal Parasher  a renowned artist is full of nostalgia.
We stand committed to share views on child art and this issue throws light on ‘Decoding the Child Art’ that can help many teachers to understand a child’s mind better.
One cannot miss the  coverage  on an iconic art object, the Gujral Foundation’s presentation, a unique step in the field of art-The Song  of Earth and Sky.
It may be a travelogue or understanding of abstraction in art, these articles are here to enjoy and ponder upon awhile.

If India is one of the youngest nations as per number of youngsters in population, let us not ignore the number of creative young minds and hands all set to express. No wonder art galleries are mushrooming all over, particularly in the bigger cities. Many art lovers are not gallery hoppers and we feel, Art that is well presented is better enjoyed and it must reach the true 'Rasik'. Art Observer is one such step in the same direction.
We feature a potpourri of art, artists from past and present, art patrons and art institutions that have created history.
Our gallery-trotting contributors have covered The India Art Fair 2020, India-Bangladesh Printmaking Exhibition, Art Fair Spain and many new and notable works, exhibitions and events.
One of the oldest art galleries in Delhi- Dhoomimal has its own rich history that Mohit Jain has shared in conversation. Old masters' works have a lot to inspire, be it Joan Miró's sparks on canvas or Swaminathan's spiritual journey through colour and canvas.
An ancient Institution with glorious heritage has been well worded by D S Kapoor.
In this promising year 2020, we can't ignore the younger generation and feel highly responsible to make sure that they are given the right guidance, direction and above all freedom of expression. Child Art will always be of special concern for us.
I hope that this issue inspires you to join us in this exercise of art appreciation.
Welcome to our introductory issue of Art Observer !

Art Observer  Cover - February 2022 Edition

February 2022

Art Observer  - February 2022

Art Observer  Cover - December 2021 Edition

December 2021

Art Observer  - December 2021

Art Observer  Cover - October 2021 Edition

October 2021

Art Observer  - October 2021

Art Observer  Cover - August 2021 Edition

August 2021

Art Observer  - August 2021

July 2021

Art Observer  - July 2021

April 2021

Art Observer  - April 2021

March 2021

Art Observer  - March 2021

Art Observer  Cover - January 2021 Edition

January 2021

Art Observer  - January 2021

Art Observer  Cover - December 2020 Edition

December 2020

Art Observer  - December 2020

July 2020

Art Observer  - July 2020

June 2020

Art Observer  - June 2020

May 2020

Art Observer  - May 2020

April 2020

Art Observer  - April 2020

March 2020

Art Observer  - March 2020

Art Observer  Cover - February 2020 Edition

February 2020

Art Observer  - February 2020

If India is one of the youngest nations as per number of youngsters in population, let us not ignore the number of creative young minds and hands all set to express. No wonder art galleries are mushrooming all over, particularly in the bigger cities. Many art lovers are not gallery hoppers and we feel, Art that is well presented is better enjoyed and it must reach the true 'Rasik'. Art Observer is one such step in the same direction.

1. Usted acepta que el uso de Magzter.com, la aplicación y sus servicios son bajo su propio riesgo. Ni Magzter.com ni sus asociados ni empleados ni proveedores de contenido de terceros garantizan que el servicio será completamente ininterrumpido o libre de errores o infalible contra actividades maliciosas. Tampoco garantizan que obtendrá los resultados exactos esperados o prometidos por el sitio web o el producto.

11. EL SERVICIO Y TODAS LAS PUBLICACIONES SE PROPORCIONAN 'TAL CUAL' Y 'SEGÚN DISPONIBILIDAD'. MAGZTER, SUS AFILIADOS, PROVEEDORES, LICENCIANTES Y AGENTES RENUNCIA EXPRESAMENTE A TODAS LAS GARANTÍAS DE CUALQUIER TIPO, YA SEA EXPLÍCITA O IMPLÍCITA, INCLUIDAS, ENTRE OTRAS, LAS GARANTÍAS IMPLÍCITAS DE COMERCIABILIDAD, IDONEIDAD PARA UN FIN DETERMINADO Y NO VIOLACIÓN. SIN LIMITAR LO ANTERIOR, NI MAGZTER NI SUS AFILIADOS, PROVEEDORES, LICENCIANTES O AGENTES OFRECEN NINGUNA GARANTÍA DE QUE (I) EL SERVICIO CUMPLIRÁ CON SUS REQUISITOS, (II) EL SERVICIO SERÁ ININTERRUMPIDO, PUNTUAL, SEGURO O LIBRE DE ERRORES, ( III) LA INFORMACIÓN QUE PUEDE OBTENERSE DEL USO DEL SERVICIO O QUE PUEDE ESTAR CONTENIDA EN LAS PUBLICACIONES SERÁ EXACTA O CONFIABLE, O (IV) LA CALIDAD DE CUALQUIER PUBLICACIÓN O DEL SERVICIO CUMPLIRÁ CON SUS EXPECTATIVAS. USTED ES EL ÚNICO RESPONSABLE DE OBTENER Y MANTENER UNA CONECTIVIDAD CONFIABLE A INTERNET Y SU DISPOSITIVO. MAGZTER NO ES RESPONSABLE DE SU INCAPACIDAD PARA DESCARGAR CONTENIDO. CUALQUIER MATERIAL DESCARGADO U OBTENIDO DE OTRO MODO A TRAVÉS DEL USO DEL SERVICIO SE REALIZA BAJO SU PROPIA DISCRECIÓN Y RIESGO Y USTED SERÁ EL ÚNICO RESPONSABLE DE CUALQUIER DAÑO A SU SISTEMA INFORMÁTICO O DISPOSITIVO MÓVIL O PÉRDIDA DE DATOS QUE RESULTE DE LA DESCARGA DE DICHO MATERIAL. NINGÚN CONSEJO O INFORMACIÓN, YA SEA ORAL O ESCRITO, OBTENIDO POR USTED DE MAGZTER O A TRAVÉS DEL SERVICIO CREARÁ NINGUNA GARANTÍA.

2. Mantendrá y actualizará de inmediato esa información para mantenerla verdadera, precisa, actual y completa. Usted es responsable de mantener la confidencialidad de su cuenta y contraseña y de restringir el acceso a su computadora, y acepta aceptar la responsabilidad de todas las actividades que ocurran en su cuenta, incluida la selección y el uso de todo el contenido y los servicios.

3. En ningún caso Magzter.com o cualquier persona o entidad o tercero involucrado en la creación, producción y distribución del contenido en el sitio web y la aplicación será responsable por contrato o legalmente por cualquier daño, incluidos, entre otros, directos, indirectos, incidentales, especiales y consecuentes incurridos por usted durante o al usar Magzter.com. Al registrarse en el sitio web o descargar la aplicación, acepta que las disposiciones mencionadas en esta sección se aplicarán a todo uso y contenido del sitio web y la aplicación.

3. Sin el permiso previo por escrito o autorizado de Magzter, no debe modificar, copiar, distribuir ni vender ningún contenido obtenido de Magzter, ya que todo lo publicado aquí es propiedad exclusiva de Magzter o sus licenciantes. Dado que dicho uso no autorizado también puede violar las leyes aplicables, incluidas las leyes de derechos de autor y marcas registradas, Magzter las prohíbe estrictamente y cancelará su acceso y su cuenta si se prueba o detecta dicha actividad ilegal. También debe ser responsable de los daños causados por estas actividades no autorizadas. Salvo que lo permita el propietario legítimo de la Publicación, usted reconoce que no adquiere ningún derecho de propiedad al descargar las Publicaciones a las que accede a través del Servicio. Salvo que lo exija explícitamente la ley de derechos de autor o lo permitan las características del Servicio, no puede modificar, aplicar ingeniería inversa, publicar, transmitir, exhibir, participar en la transferencia o venta, crear obras derivadas de, o de ninguna manera explotar comercialmente o proporcionar a un tercero el contenido de la Aplicación, las Publicaciones o cualquier parte de ellas sin el permiso expreso de Magzter y el propietario de dicho contenido. No le otorgamos ninguna licencia, expresa o implícita, de la propiedad intelectual de Magzter o de los licenciantes de Magzter.

5. Usted reconoce específicamente que Magzter.com no es responsable de ningún tipo de conducta difamatoria, ofensiva o ilegal de otros usuarios o terceros o su contenido y que el riesgo de lesión por lo anterior recae completamente en usted.

8. Magzter se reserva todos los derechos de monitorear el contenido publicado e ingresado por usted con el fin de determinar si cumple con estos términos y condiciones y otras reglas operativas determinadas por Magzter. Magzter tiene derecho a tomar decisiones sobre los contenidos y eliminarlos a su propia voluntad.

9. Magzter es un distribuidor y NO un editor de las Publicaciones, por lo que Magzter no tiene control editorial sobre el contenido, incluidas opiniones, consejos, declaraciones, servicios, ofertas, etc., que se representa en las revistas. Por lo tanto, Magzter no asumirá responsabilidad por la exactitud o confiabilidad de cualquier información o hecho proporcionado en el mismo o que esté disponible a través del servicio, por cualquier persona que no sea empleados autorizados de Magzter que estén actuando en sus capacidades oficiales. En consecuencia, no tenemos control editorial sobre las Publicaciones. Cualquier opinión, consejo, declaración, servicio, oferta u otra información o contenido expresado o puesto a disposición por terceros, incluidos los realizados en las Publicaciones ofrecidas por el Servicio, son de los respectivos autores o editores y no de Magzter. Magzter no será responsable de ninguna pérdida o daño causado por su confianza en la información obtenida a través del Servicio o de las Publicaciones. El Servicio puede contener enlaces a otros sitios de Internet y recursos de terceros y Magzter no asume ninguna responsabilidad por las comunicaciones o materiales disponibles en dichos sitios vinculados. Estos enlaces se proporcionan únicamente para su comodidad. Usted es el único responsable de comprender los términos y condiciones que puedan aplicarse cuando visita o realiza un pedido a través de un sitio de terceros.

El acceso, la navegación y el uso del sitio web de Magzter, los servicios de Internet y las aplicaciones para dispositivos móviles ('Aplicación') están sujetos a los siguientes Términos y condiciones ('Términos'). Por favor, lea estos Términos detenidamente. Crear una cuenta con Magzter ('nosotros', 'nosotros') o usar cualquier servicio o aplicación de Magzter o relacionado con Magzter significará que ha leído, entendido y acepta estar sujeto a estos Términos y cumplir con todas las leyes aplicables y reglamentos Estos Términos constituyen un acuerdo vinculante entre usted y Magzter Inc. y sus afiliados. Si no está de acuerdo con estos Términos, no puede usar el Servicio. ESTOS TÉRMINOS CONTIENEN RENUNCIAS DE GARANTÍA Y OTRAS DISPOSICIONES QUE LIMITAN LA RESPONSABILIDAD DE MAGZTER, POR LO QUE POR FAVOR LEA ESTOS TÉRMINOS EN SU TOTALIDAD. Magzter se reserva el derecho de cancelar inmediatamente su acceso al sitio web, servicio o aplicación relacionada con Magzter, si no cumple con este acuerdo. El sitio web de Magzter, los servicios de Internet y las aplicaciones para dispositivos móviles constituyen colectivamente el 'Servicio'. Este Servicio es propiedad y está operado por Magzter Inc. El Servicio incluye el sitio web www.magzter.com y la aplicación que le brinda la capacidad de ordenar, suscribirse y recibir la entrega de varias revistas, libros, noticias y contenido relacionado con revistas y publicaciones. (conocidos colectivamente como 'Publicaciones') y recibir estas versiones digitales de las Publicaciones.

 Detalles del contenido objetable, incluido su enlace en nuestra plataforma

 Descarga tus títulos favoritos y léelos sin conexión, en cualquier momento y en cualquier lugar

 Regale a sus seres queridos una tarjeta de regalo de Magzter al instante y déles la libertad de leer sus revistas y periódicos favoritos de miles de títulos más vendidos.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Regara a tus seres queridos una Tarjeta de regalo de Magzter y dales la libertad de leer sus revistas favoritas entre {{magCount}} títulos internacionales de mayor venta.

Girish Ramdas es cofundador y director ejecutivo de Magzter, una empresa nueva con sede en Nueva York que ha estado causando sensación en el negocio editorial digital mundial. Magzter ha superado los 80 millones de usuarios desde su creación en 2011 de más de 150 países con miles de revistas, periódicos y libros de más de 4500 editoriales de todo el mundo. Tiene más de 25 años de experiencia en publicación multiplataforma, incluido el desarrollo web, móvil y impreso. Durante este período, cofundó y dirigió tres exitosas empresas emergentes. Ha permitido que las empresas de revistas se vuelvan digitales y las ayuda a monetizar su contenido en todo el mundo digital. La profunda experiencia de Girish en la industria en ecosistemas en línea, móviles y editoriales lo ha convertido en un experto en adquisición, mercadeo y monetización de contenido digital en plataformas a nivel mundial.

 En caso de que encuentre algún contenido objetable en nuestra plataforma, hemos implementado una política de reparación de quejas para abordar sus inquietudes.

Magzter Inc. (”Compañía” , ”nosotros” , ”nos”  o ”nuestro” ) sabe que le importa cómo se usa y comparte su información personal.Lea la siguiente política de privacidad(la ”Política” ) para obtener más información sobre nuestras prácticas de privacidad.Al visitar cualquiera de los sitios web operados por la Compañía y cualquiera de sus subdominios, o al usar cualquiera de nuestras aplicaciones móviles y otros métodos de distribución de contenido(colectivamente, el ”Servicio” ), usted reconoce que acepta las prácticas y políticas descritas.en esta Política, y usted acepta que recopilaremos, usaremos y compartiremos su información de las siguientes maneras.

Magzter Inc. es el puesto de periódicos digital multiplataforma de autoservicio más grande y de más rápido crecimiento del mundo con más de 80 millones de usuarios desde su creación en 2011 y miles de revistas y periódicos en más de 40 categorías y más de 60 idiomas. Con sede en Nueva York, Magzter tiene presencia local en Ámsterdam, Londres, Ciudad de México, Chennai, Mumbai, Nueva Delhi, Bangalore, Singapur y pronto se expandirá a otros países. Fundada por los empresarios globales, Girish Ramdas y Vijay Radhakrishnan en junio de 2011, Magzter permite a los editores de revistas y periódicos de todo el mundo crear y entregar ediciones digitales de sus títulos a los consumidores globales.

 Magzter se compromete a proporcionar una plataforma segura para nuestros usuarios. Tenga en cuenta que Magzter es simplemente una plataforma para que los editores distribuyan su contenido. No controlamos ni respaldamos el contenido publicado en nuestra plataforma. No podemos responsabilizarnos por las acciones de nuestros editores o su contenido.

Magzter no es responsable de indemnizar a ninguna parte que haya sufrido daños o incurrido en costos debido a cualquier contenido, o parte del contenido, que viole sus derechos. Magzter no es responsable de enfrentar ninguna acción legal en un tribunal civil por cualquier violación de derechos causada por cualquier contenido, o parte del contenido, que infrinja los derechos de un tercero.

Magzter ofrece el servicio de suscripción ”All- You - Can - Read”  más grande del mundo llamado Magzter GOLD, que brinda a los lectores digitales acceso ilimitado a más de 9,000 revistas y periódicos por un precio de suscripción mensual.Magzter también tiene la mayor cantidad de historias en el mundo con su innovadora función ezRead 2.0 para sus aplicaciones, que permite a los usuarios de teléfonos inteligentes y dispositivos móviles de pantalla pequeña disfrutar el contenido de la revista de la manera en que debe disfrutarse, con el texto del artículo que es fácil de leer y se acompaña de impresionantes videos y fotografías de alta resolución.

Nombre

Llena este formulario si necesitas ayuda para publicar tu contenido en Magzter

 Antes de Magzter, fue presidente de Dot Com Infoway (DCI) y Galatta Media. Sus funciones incluían marketing estratégico, desarrollo de asociaciones y monetización de contenido a nivel mundial. DCI creció de un pequeño equipo de 3 en 2000 a 300 en 2011 y se ocupaba del desarrollo web, de software y de aplicaciones para clientes de todo el mundo.

Desde que iniciamos, Magzter ha estado comprometida para asociarse con organizaciones globales para brindar la mayor tecnología y servicio de puesto de revistas posible a nuestros clientes. Si estás buscando ofrecer suscripciones a revistas a tu base de datos de clientes o si solo quieres aprender más, Magzter está comprometida a ayudar al crecimiento de tu empresa. Para obtener más información, llena el siguiente cuestionario:

 La DMCA nos permite restaurar el contenido eliminado si la parte que presentó el Aviso de DMCA original no presenta una acción judicial en su contra dentro de los diez días hábiles posteriores a la recepción de la copia de su Contraaviso.

Esta Política cubre el tratamiento de la Compañía de la información de identificación personal(”Información personal”) y otra información sobre usted y su computadora o dispositivo que la Compañía recopila cuando accede al Servicio.Podemos recopilar Información personal de usted, como se explica con más detalle a continuación, y usamos esta Información personal internamente en relación con nuestros Servicios, incluso para personalizar, proporcionar y mejorar nuestros productos, servicios, contenido y publicidad, y para permitirle para configurar una cuenta y un perfil de usuario, para contactarlo, para cumplir con sus solicitudes de ciertos productos y servicios, y para analizar cómo usa los Servicios.En ciertos casos, también podemos compartir cierta información personal con terceros, pero solo como se describe en el punto 4.

Este título está incluido con su suscripción Magzter GOLD

 Para analizar la calidad del contenido y proporcionar comentarios apropiados a los editores.

 Hemos designado un oficial de quejas para abordar cualquier queja relacionada con contenido objetable.

 Solicitamos que cualquier queja relacionada con contenido objetable se envíe al Oficial de quejas por correo electrónico a la dirección de correo electrónico mencionada anteriormente. También le solicitamos que proporcione los siguientes detalles al presentar una queja

y la Aplicación que le brinda la capacidad de ordenar, suscribirse y recibir la entrega de varias revistas, libros, noticias y contenido relacionado con revistas y publicaciones (conocidos colectivamente como "Publicaciones") y recibir estas versiones digitales de las Publicaciones

C.También recopilamos información asociada con su uso de la aplicación para hacer recomendaciones personalizadas.Si nos proporciona las credenciales de su cuenta de terceros, comprende que parte del contenido o la información de esas cuentas(”Información de la cuenta de terceros”) se puede transmitir a su cuenta con nosotros si autoriza dichas transmisiones, y esa cuenta de terceros La información transmitida al Servicio está cubierta por esta Política.

 F. La información personal que recopilamos nos permite responder a sus solicitudes, mejorar nuestros productos y servicios, personalizar la publicidad y el contenido que ve y comunicarnos con usted sobre nuevos productos.

es el puesto de periódicos digital multiplataforma de autoservicio más grande y de más rápido crecimiento del mundo con más de 85 millones de usuarios desde su creación en 2011 y miles de revistas y periódicos en más de 40 categorías y más de 60 idiomas. Con sede en Nueva York, Magzter tiene presencia local en Ámsterdam, Londres, Ciudad de México, Chennai, Mumbai, Nueva Delhi, Bangalore, Singapur y pronto se expandirá a otros países. Fundada por los empresarios globales, Girish Ramdas y Vijay Radhakrishnan en junio de 2011, Magzter permite a los editores de revistas y periódicos de todo el mundo crear y entregar ediciones digitales de sus títulos a los consumidores globales.

 norte. También utilizaremos la información de uso para garantizar que los usuarios cumplan con nuestros Términos de uso. Por ejemplo, la información de uso de un usuario nos ayudará a confirmar que un usuario solo descarga una revista u otro contenido un número permitido de veces o en un número permitido de dispositivos.

 que brinda a los lectores digitales acceso ilimitado a más de 9,000 revistas y periódicos por un precio de suscripción mensual. Magzter también tiene la mayor cantidad de historias en el mundo con su innovadora función ezRead 2.0 para sus aplicaciones, que permite a los usuarios de teléfonos inteligentes y dispositivos móviles de pantalla pequeña disfrutar el contenido de la revista de la manera en que debe disfrutarse, con el texto del artículo que es fácil de leer y se acompaña de impresionantes videos y fotografías de alta resolución.

Art Observer - December 2021

Art Observer - December 2021

En este asunto

Art Observer Magazine Description: