Juxtapoz is excited to announce our Winter 2023 issue with a cover story on Spanish-born, NYC based painter, Cristina BanBan.

Our Winter cover story, Spanish artist Cristina BanBan, is wonderfully vivid in this conversation with history as well. Her classic oil paintings are harborers of the most classic portrait styles, but emboldened within a new era of figuration that considers selfhood, social media, pandemics, women's rights, family, and friendship.

The features include interviews with BanBan, Stipan Tadić, Pat Phillips, Ozzie Juarez, Genevieve Cohn, Alake Shilling, Wendy Park, Mohamed l'Ghacham, and stories on Peggy Nolan, Joan Brown, Nusi Quero, Gil Bruvel, Ben Tolman, Aaron Douglas, Mr. Doodle and more!

All the artists in this issue, are time travelers, putting their unique and fresh language on the most archetypal genres of art.

Juxtapoz is excited to announce our FALL 2024 Quarterly, the fourth in a series of special issues celebrating our 30th anniversary as an independently published art and culture magazine. This issue features a cover story with San Francisco-based Koak, as she embarks on a major solo show in Paris during the fall exhibition season. 


This issue takes seriously conversations about respect and appreciation for cultural heritage. There are conversations about the politics of landscape painting in the West Bank with Palestinian-American painter Saj Issa. Sickid explores graffiti and first-generation immigrant heritage. Wendy Red Star dedicates her practice to the Apsáalooke in southern Montana, Glasgow’s Hannah Wilson thinks in the subtle, cinematic imagery, and Abram Jackson explains how museums embody these concepts. In the spirit of this issue, we learn the real-life experience and perspective of Canadian painter Natia Lemay, who first entered a gallery space when she was 33 years old.

This may be a pivotal fall for many of us. As Juxtapoz ends its 30th year, we are reminded that the artists speak not only from a personal perspective but with a reverence for what is beautifully universal. Perfect harmony.


The new Juxtapoz format is back to its original style, 8.5" x 11" with an increase in content at 160 pages.


Featured artists in FALL 2024 include Koak, Sickid, Hannah Wilson, Wendy Red Star, Elizabeth Glaessner, Saj Issa, Joseph Olisaemeka Wilson, Meegan Barnes, Mars-1, Natie Lemay, Pia Paulina Guilmoth, a spotlight on the contemporary art movement in Mexico, the history of color at Winsor & Newton, and a conversation with the Director of Interpretation at the Fine Arts Museums of San Francisco, Abram Jackson. 

Juxtapoz is excited to announce our SUMMER 2024 Quarterly, the third in a series of special issues celebrating our 30th anniversary as an independently published art and culture magazine. This issue features a special cover story with internationally renowned artist, Mickalene Thomas. 

Our Summer Quarterly in so many ways, begins with Mickalene Thomas’ exhibition at The Broad, All About Love. If there was ever an artist who championed community, of sharing space with others, of growing with peers, it is Mickalene. And the title of her show couldn’t be more appropriate for the time. When we look at all the other featured artists, Katherine Bernhardt, rafa esparza, Nehemiah Cisneros, Noelia Towers, Ivy Haldeman, Timothy Lai, Rebecca Ness, Joy Yamusangie, and Eric Yahnker, I think about growth and sharing. As the world continues to roar with the destruction of war and the potential for more conflict, there is a simple lesson to be understood in the life of Shawn Hosner, in the words of Sister Corita Kent, and in the career of Mickalene Thomas. Where there is love, there is community, so let that garden grow.

The new Juxtapoz format is back to its original style, 8.5" x 11" with an increase in content at 160 pages.

Featured artists in SUMMER 2024 include Mickalene Thomas, Katherine Bernhardt, rafa esparza, Nehemiah Cisneros, Noelia Towers, Ivy Haldeman, Timothy Lai, Rebecca Ness, Joy Yamusangie, Eric Yahnker, Sabrina Bockler, Escif, Sagarika Sundaram, Abdulhamid Kircher, Teen Angels, Adrian Schachter and more. 

Juxtapoz is excited to announce our SPRING 2024 Quarterly, the second of 4 special issues celebrating our 30th anniversary as an independently published art and culture magazine. This issue features a brand new painting by California-based painter, and longtime Juxtapoz featured artist, Christian Rex van Minnen. 

And yes, Juxtapoz looks a little different this Spring Quarterly, and yes, we’ve returned to our original size, but with the addition of more pages, images, artists, and conversations. Partly, we wanted to take up less physical space while expanding what it means to have a place in your life. I was moved by something cover artist Christian Rex van Minnen said in his interview: “Our whole purpose here is to discover that inner magic.” I want that feeling to resonate in 2024, with the words we put into this new format of Juxtapoz, and most importantly, into our complex conversations, participating in a world still searching for a common identity. And we hope you try and honor your own needs, guided by respect for others who want to do the same.

Featured artists in SPRING 2024 include Christian Rex van Minnen, Maud Madsen, Jean Jullien, Dada Khanyisa, Jameson Green, Gretchen Scherer, Bony Ramirez, Deng “Demo” Shiqing, Kevin Christy, Von Wolfe, Amalia Angulo, Dani Dazey and Lee Quiñones.

Juxtapoz is excited to announce our WINTER 2024 Quarterly, the first of 4 special issues celebrating our 30th anniversary as an independently published art and culture magazine. The cover features an exclusive interview with legendary and influential painter, George Condo. 

For the first of four 30th anniversary covers this year, we have George Condo to kick us off, ever a master, ever the evocative painter, and interview. When he tells us, “My perspective… is that there is no real meaningful linearity or chronology when it comes to art,” it feels like a familial mission statement. Art isn’t about a linear story or history; it’s broad and evolving, malleable and omnipresent. Shepard Fairey, Olivia Sterling, April Bey, Mike Lee, Jon Key, Lola Gil, and Sarah Lee, the artists we speak to on this anniversary, speak about art as this vital lifeblood of humanity, of time turning in on itself, of finding inspiration in the contemporary, classic, and future at all times in their process. We leave our comfort zones, push to connect, and challenge to find a community and commonality in the expressions of mark-making, even when there is conflict all around us. Art is a collective, permeable history, yours and ours.

Juxtapoz is excited to announce our Fall 2023 Quarterly, featuring an exclusive interview and cover story with famed, influential Japanese artist, Takashi Murakami. This is Takashi's second cover with the magazine and his first since our museum collaboration, Juxtapoz x Superflat, opened at the Vancouver Art Gallery in 2017. 

We use the term “monster” a lot in popular culture, almost to a fault. There is a fascination with these terrors of such abnormal size because we can also relate to them. A monster isn’t so much a thing but a metaphor, an embodiment of something deep within ourselves and our imagination. Godzilla wasn’t just about a gigantic prehistoric lizard wreaking havoc on Tokyo; it was a story of the fear of nuclear war, or, what we as humans were capable of as monsters ourselves. And in the 21st century, the monster that terrorizes us isn’t so much the threat of war (although that is still rather pertinent these days), but the myriad radical shifts we have made through science and technology, things so unfathomable as to be greater than what we define as human. With that are new kinds of anxiety as we seek our role and our potential in what we call the universe. This is a reality that Takashi Murakami, through his artwork and own technology-based projects, has confronted. This fall, he opens Takashi Murakami: Unfamiliar People — Swelling of Monsterized Human Ego at the Asian Art Museum.

The Fall Quarterly isn’t so much about monsters but the ways in which we bend reality, contort the human form and redefine selfhood. Painters like Arjen and Peggy Kuiper elongate and enlarge the body in unimaginable ways. Taravat Talepasand, Genevieve Gaignard, and Zoé Blue M. create paintings and collages that reengage with the limits and endless possibilities of self-hood. You can’t help but think of the ghostlike composition of the figures in the paintings of Cinga Samson, almost religious and sensual, as he asks himself, “How do you paint beauty and terror?”


Juxtapoz is excited to announce their Summer 2023 Quarterly, featuring exclusive artwork and text treatment by UK artist, David Shrigley. This is Shrigley's first cover with the magazine and 3rd feature in our print edition. 

“I've had a lot of really weird thoughts that should never leave my head.” This is one of the last musings David Shrigley shares over the course of three conversations taking place over multiple hours, and it's the first thing you should know about the English-born, Glasgow-trained, and now Brighton-based conceptual artist. He is eminently recognized worldwide for his craft, a deadpan humorist with an irresistible little penchant for morbidity and absurdity. At any point over the last 30 years, we could have spoken to Shrigley about his artwork, but it feels more urgent to speak with him in 2023, as an artist who has managed the social media universe, the contemporary art world, and the occasional foray into interactive art without a compromise or sudden shift of aesthetics. He is who he is.

It's not unintentional that in the Summer 2023 Quarterly, our feature on photography looks up to the stars, into the far reaches of the expanding universe, offering an even bigger expanse of questions, beyond our own existence with the James Webb Space Telescope. We feature the autobiographical, deeply-personal, and explorative works of Zanele Muholi and their own explorations of the fluidity of identity. The Perez Brothers, Danielle Roberts, Jess Valice, Kezia Harrell, or Joshua Petker, all at different moments in their careers, each ask questions about their own life experiences, inviting us to join their explorations. Art is a reflection of life, and that doesn't require a definition, but simply a closer look.

Juxtapoz is excited to announce our Spring 2023 Quarterly, featuring the cover artwork of Spanish painter, Fatima de Juan.

The art world at large is always seeking the next big thing, searching for an artist that other galleries haven’t exhibited or looking for a painting that no other dealer can find. The hidden treasure is often the centerpiece of the discussion when we talk about art, and it's often related to being financially beneficial to someone. But maybe there is also something spiritual we desire, something that moves us, that helps explain the world in an expansive, multi-dimensional way. One of my favorite moments is when I discover the benches and seats in a gallery or museum just made for sitting and staring for hours on end, an experience that’s even more satisfying when catching sight of someone else enthralled and enveloped by an artist’s work. 

The Spring Quarterly is full of discovery where we least expect it, from Caleb Hahne Quintana’s investigation into his family’s migration, Jesse Mockrin’s allegorical masterpieces, Hayley Barker’s secret gardens, Gregory Rick’s journey to the center of the museum world, Sadie Barnette’s exploration of language, to Tish Murtha documenting the power of a lost generation, and cover artist Fátima de Juan tackling the graffiti world as woman and warrior princess for a new century. We seek and are surprised, day in and day out, and the beauty is that in each Quarterly, you join this ongoing odyssey.

Juxtapoz is excited to announce our Fall 2022 Quarterly, with a cover image by internationally renowned painter, Kehinde Wiley. We also have a special focus on the late great designer and creative, Virgil Abloh.

The artists in the Fall 2022 quarterly, from Kehinde Wiley to Broken Fingaz, each explain themselves as part of a larger whole in the spirit of association. “The whole point of collaboration is that you give and take from each other, and that's how you create things that are totally new,” Virgil Abloh once said, and so, we often speak about art in those terms. That is at the heart of this publication and the artists we document in each issue. Although we lost one of the greatest champions of collaboration, we continually work to honor that legacy with our antennas up. 

Juxtapoz is excited to announce our Summer 2022 Quarterly, featuring our cover story on Spanish artist ARYZ, his second cover with Juxtapoz. This Summer 2022 issue is themed around "movement" and the artists who create work both metaphorically and figuratively about movement.

The Summer 2022 quarterly is our opportunity to delve into movement as an evolving and elastic concept. Jenny Holzer, ever anti-authoritarian and the consummate representation of how and where we challenge power structures is the epitome of moving language through our institutions and public spaces. Southern California’s Jaime Muñoz creates stunning airbrush works that feature his Toyoteria concept, highlighting social and economic inequality as he depicts migrants in Toyota trucks taking themselves to work each day, providing the lifeblood of our economy. The five Jewish Ethiopian artists who immigrated to Israel describe their exodus in stunning works that now appear in major contemporary art spaces, spurring more conversation about where and how we move. Designer Natalee Decker fashions self-described “fantasy mobility devices,” in speaking of liberation in their own practice and life. Alvin Armstrong’s majestically raw athletes pay tribute to sport and body in what he calls an attempt to evoke “rhythm paintings.” While John Fekner has moved throughout NYC as a street artist with bold aesthetics and streetwise poetry, ARYZ has reimagined the ancient ground of European churches, transforming them into a ballet of vividly colorful, contemporary energy. 

Perhaps that is the perfect way to think about movement in 2022, as an attempt and aspiration. Movement can be hope, empowerment, understanding, struggling, a search for freedom and an escape. And often, it's a desire and the implementation of change. This issue is our chance to look at how circumstances force us to examine ourselves and create ways to communicate, converse and take action. Here is where to begin.

Juxtapoz is excited to announce our Spring 2022 Quarterly, featuring our cover story on Derek Fordjour, in conjunction with this solo show in Los Angeles in the coming months.

Our Spring Quarterly hums more quietly, and yet at the same time, it pulsates with such humanity. There’s introspection, an observational theme from each artist, but a release too. I feel it should be noted that, as we completed this issue, the Whitney Biennial announced their 2022 theme, Quiet As It’s Kept, as if there is a feeling in the air, that after all this time of separation, we need to explore the quiet together, collectively. It was definitely on my mind these past few months. And so we start this issue with a quote from the great portrait painter, Alice Neel, who is honored this spring with an exhibition at the de Young museum in San Francisco in a show called People Come First. She observed her subjects with a sense of sensitivity and passion. Her subjects held a powerful pose, an elegant grit, something real and yet hushed. In a memorable interview when Neel appeared with Tonight Show host Johnny Carson in 1978, she remarked, “Well, so many of us are damaged, aren’t we?” Such often unspoken honesty, that brutal quiet truth, resonates in 2022 as much as it did over 40 years ago, positioning Neel as the perfect artist to study and honor.

Spring features stories on Derek Fordjour, Alice Neel, Patrick Martinez, Woody de Othello, Joy Labinjo, Aryo Toh Djojo, Matt Bollinger, Kim Dacres, Kristina Schuldt, Anna Park, Naive John, Peter Saul, Jim Henson, Hein Koh, Javier Ruiz, Angela Anh Nguyen and more!

Juxtapoz is pleased to announce our Winter 2022 Quarterly, featuring Radiohead's Thom Yorke and Stanley Donwood on the cover. 

At the top of a short wish list of bands who might reissue a box set, of all the albums to do it with, I would say that Radiohead’s Kid A and Amnesiac are at the top. Let me explain: I’m of a certain age, was actually a freshman in college, when Radiohead played “The National Anthem” on SNL in the fall of 2000. I felt the shock wave of innovation and art that I didn’t imagine possible on mainstream television. It hit like a bolt of lightning, something very different and apparently, very new century. Looking back 21 years later, and surveying the landscape of Billboard music, that Kid A made its debut at #1 in the album charts seems unfathomable. An artistic statement from such a popular band doesn’t slam into public consciousness like it used to, and perhaps it might not again. That said, what a testimony it is that difficult and challenging creative outputs did occupy a potent place in our wider pop culture.

This issue thrives on rule-breaking. Salman Toor, Afrofuturism pioneers, Tania Franco Klein and the other featured artists speak about breaking from tradition, and the result is something graceful, experimental, urgent and sublime. Kid A was perhaps the first great work of art of the new millennium, something aficionados of any genre return to as an example of rebirth and reimagination in collaboration. The band has begun to unpack the work of that time, in their own voice, inspiring confidence to widen our own potential. Sometimes taking a chance is the best practice of all. 

The Fall 2021 Quarterly issue weaves a thread of listening, as many of the featured artists speak of place as an in-between time. That many of them came from the middle of the United States, central Europe or central Africa even, seems to capture a mood of looking out—bringing traditions and influences from all around and transforming them into something completely fresh. We often ask about their listening habits, meaning music or podcasts. But do we mean “what do you hear” from the world around you? What are we listening to in terms of how people feel, especially within the collective identity of the time? Our cover image sets the tone: a faceless woman, between two massive buildings, brimming with expression and  strength, defying an urban echo chamber, overseeing the world beneath. The first time I saw this painting by Julie Curtiss, I was struck by an ominous force upon this all-seeing, all-knowing figure, as if on a pulpit, assessing the crowd. There was a wonderful line in her interview where she seems to speak directly about this work. “I want people to still have room to project some of their lead experiences or some of their inner world into my work,” she said, “and I want to provide enough ambiguity that portrays how ideas are often complementary. I’m more interested in paradox, and in how things can reverse in one second.” The cover begs even further questions: are we ready for what is to come?


With features on Julie Curtiss, Geoff McFetridge, Umar Rashid, Jane Dickson, Shaina McCoy, Alfonso Gonzalez Jr, Kayla Mahaffey, Akos Ezer and Lily Wong. 

I doubt I’m the only one who has ever daydreamed their life into some sort of movie scene just before the ending credits are run. I think it’s natural for  “a dreamer,” a category in which I most certainly belong, to imagine oneself in a story of importance, or at least of narrative significance.  I think of this in being so drawn to the cinematic romanticism in Danielle McKinney’s paintings. As a viewer, you are able to recognize yourself in her scenes. A record player is subtly heard in the distance, cigarette smoke lingering over you, nothing too loud in this solitary tableau. These paintings slowly stroll through the frame, ever so quietly. That she called her recent solo show Saw My Shadow, is a nod to both existence and individuality, as well as the overwhelming sense that the female characters share the same sounds, drifting into the dream with the viewer. A book critic rightly assessed that Hemingway "impersonated simplicity," and that, too, perfectly reflects McKinney. Fulsome with details and profound color use, these works also impersonate simplicity, revealing universal moments of respite, veins of religion and the expression of what it is we see in ourselves—importantly, our ideal selves. 

This is a painterly issue and, as it turns out, quite cinematic. Summer 2021 Quarterly features Danielle Mckinney, Jenna Gribbon, Cristina BanBan, MADSAKI, Phlegm, Khari Turner, Lucia Hierro, Hilary Pecis, Ludovic Nkoth, Vasantha Yogananthan, Wing Yau, Nicole McLaughlin, Maud Madsen, Nathaniel Russell, Nam June Paik, Beyond the Streets on Paper and more. 

This is a new year, and in so many ways, it feels like a fresh start. We didn’t really get a 2020, at least in the ways we thought we would. It got us thinking about the ones we lean on, those we look to for inspiration, and that is why our Spring 2021 cover by Yusuke Hanai offers reason for hope and support. It is so clear; friends supporting each other in times of trouble. Such directness guides us in leaving the last year (or four) behind. Yusuke is a rare, humble talent who can convey truth for a collective consciousness. This Spring, our quarterly focuses on forthright honesty and a sense of possibility, from Yusuke to Chris Martin, Tiffany Alfonseca to Ryan Travis Christian.

The full Spring 2021 lineup includes Yusuke Hanai, Amoako Boafo, Ania Hobson, Hernan Bas, Tiffany Alfonseca, Ryan Travis Christian, Shannon T Lewis, En Iwamura, Cathrin Hoffmann, Helen Bur, Christopher Martin, Tony Toscani, Khalik Allah, Yinka Ilori, Alexandra Sipa and more! 

In what has been one of the most tumultuous years in our history, we are excited to share and announce our newest Quarterly, the Winter 2021 Issue #216.

Winter 2021 cover artist, Amani Lewis, is a brilliant emerging voice who combines so many mediums in their work that we feel like we are going through our own schooling to understand their craft. But one thing is certain: Lewis is part of a new generation of artists for whom collaboration is the lifeblood, inviting us to share their collective practice. Mr. StarCity, the NYC-based painter who has channeled infectious love and care for others into his professional vision, is on the brink of a major moment, soothing many of us along the way. Steven Sweatpants, Aurora James, Trey Abdella, Danica Lundy, Brian Calvin, Otis Kwame Kye Quaicoe, Bianca Nemelc, Maria Qamar… these are all fresh thinking artists who exemplify what a new decade will begin to look like in art. Collective mindsets, inclusive visions, and a refusal to be predetermined by the past.

If you are hesitant about rewriting history or venturing into the vaunted lexicon of Art, we offer that opportunity in these pages. We owe it to our readers, artists, and the blueprint that was established in 1994 when Juxtapoz was created as a platform for alternative cultural voices. 2020 might be defined by the pandemic, social unrest, and a test of democracy. Join us as we seek to broaden and embolden what the next decade can be.


The Winter 2021 Quarterly features interviews and spotlights on Amani Lewis, Brian Calvin, Mr. StarCity, Otis Kwame Kye Quaicoe, Bianca Nemelc, Maria Qamar, Trey Abdella, Danica Lundy, Aurora James, Steven Sweatpants, Ana Leovy, Darien Birks, Troy Lamar Chew, Lowe Mill Arts in Hunstville, Alabama, Arinze Stanley and more. 

Our Fall 2020 Quarterly edition, issue #215, created during one of the most tumultuous summers in American history, and our cover reflects a powerful, defiant and historical moment in time. Bisa Butler, our cover artist this issue, has found a remarkable way to "paint with textiles," creating quilts that re-contextualize the historical craft art as well as retell some of our most important events that have helped shape the real American story. That she focuses on the quilt, and the passing down of family heritage and the coded language within the textile art form was especially of importance for this year of social change.

The Fall 2020 Quarterly is about the body, and what the body represents to not only the artist but the viewer. We have in-depth looks at the works of Bisa Butler Marilyn Minter, Lina Iris Viktor, Dominic Chambers, Cassi Namoda, Laura Berger, Peter Uka, Macela Pardo Ariza, Justin Liam O'Brien, Nicolas Party, Kayla Mahaffey, Jessalyn Aaland, J Leigh Garcia, Pricklysauce, Lisa Marie Thalhammer, Craig Costello, NIck Cave, Dan Witz, Amoako Boafo, GaHee Park, Ed Clark, Lily Kaizer and more!

Created in one of the most tumultuous times in our 26 years as a print publication, Juxtapoz is excited to share our newest Quarterly edition, Summer 2020 Issue #214. For the cover story and artwork, we had Brooklyn-based painter, Kelly Beeman, premiere one of her newest watercolor works, a painting that spoke to our current global mood of both harmony, togetherness, anxiety and fear. We also share in-depth conversations Jose Parla, Felipe Pantone, Calida Rawles, Anna Weyant, Jess Johnson, Molly Bounds and Koichi Sato, as well as stories on the history of Levi's, Heath Ceramics. Summer 2020 also highlights the works of Bill Posters, Kristine Potter, Yu Maeda, 1010. And in perhaps a perfect tale of these past months, we get a journal from Martin Machado as he took a riverboat from San Francisco to Sacramento, at the early stages of the pandemic, away from the news and one with the natural world.

Juxtapoz is excited to share our newest Quarterly edition, Spring 2020 Issue #213, with a look at some of our favorite painters working today. We feature Ana Benaroya on our cover, fresh off her solo show in Los Angeles this February, as well as in-depth conversations with two major painters, Eddie Martinez and Loie Hollowell. We catch up with Vhils and Judy Chicago, as they both, respectively, open museum shows across the USA. Also in the Spring 2020 issue our conversations with Jenny Morgan, Marcus Brutus, Esiri Erheriene-Essi, Dawoud Bey, Jeremy Fish, Ben Spiers, Maja Djordjevic, Emilio Santoyo, Amanda Mounser and we took an art vacation to Vienna!

After spending 2019 celebrating 25 years as a print publication, Juxtapoz is proud to kick off another 25 with perhaps one of the most influential artists in a generation, JR. The French artist is so much more than a photographer; he is a philanthropist, activist, filmmaker, community organizer, teacher and in some ways, one of the original voices of the street art generation. After Academy Award nominated films and museum retrospectives around the world, we visited JR during the install of his exhibition at the Brooklyn Museum to see what motivates one of the most energetic and prolific artists we know. Also in the Winter 2020 issue, we interview Prudence Flint, Danny Fox, Rebecca Ness, Borondo, Diedrick Brackens, Dominque Fung, Masako Miki, Adam Sorensen, Baldur Helgason, Lilian Martinez, Summer Wheat, Michael Jang and review the wonderful "Soul of a Nation" exhibition.

Juxtapoz Magazine is proud to close out its 25th year with one of our most wide-ranging issues we have ever published! For issue Fall 2019, issue 211, we are excited to showcase a cover story on Baltimore-born, Brooklyn-based fine artist, Derrick Adams. The Fall 2019 issue feels like an ideal companion to this overarching camaraderie and authenticity. To have our founder, Robert Williams, featured for his newest works and show, alongside Derrick Adams, who has emerged over the past five years as one of the most exciting painters of his generation, is a perfect example. That Naudline Pierre and Alicia McCarthy are pages away from each other, Anna Park and Tomoo Gokita as well—it's not a passing of the baton, but finding ways to build a kinship between the generations, no matter where they are in their respective careers. That is what we have been striving for since 1994, and in the Fall of 2019, we savor the momentum. 

In Fall 2019: 
Features on Derrick Adams, Robert Williams, Alicia McCarthy, Naudline Pierre, Anna Park, Tim Biskup, Michael Kagan, Tomoo Gokita, Heather Benjamin

Spotlights on George Clinton and Fluevog, Kensuke Koike, Dave Shuten, Kendra Yee, Ruohan Wang, RVCA World Tour, Pedro Pedro, Mike Shine's Berlin travels, Gil Bruvel, Sarah Cain, and the art history of Mickey Mouse at the Disney Family Museum

Juxtapoz is pleased to announce our Summer 2019 Quarterly edition, featuring cover art by one of the most talked about painters in the world today, Robin F Williams. The NYC-based painter has captured an original artistic voice in recent years, both figurative and at times absurd, classic and yet truly visionary. When we talk to her contemporaries, Robin's name is almost first on their list of painters who demands attention. Ahead of her solo show at Various Small Fires in Los Angeles in Fall 2019, Megan N Liberty sat down with the artist in her Brooklyn studio to talk about faces, how women are depicted in classic American advertising and how a painting is built.

Also in Summer 2019:
Features on Danielle Orchard, Paul Insect, Don Ed Hardy, Ellen Berkenblit, Tschabalala Self, Mario Ayala and Joe Roberts aka LSD World Peace

Spotlights on Jean Jullien, Jessica Campbell at MCA Chicago, Rewina Beshue, LA Roxx, Hilda Palafox, Alex Chinneck, Boston's art scene, Parsons School of Design, Nuart Aberdeen and recap Phlegm's incredible work in Sheffield, England.

As we continue to celebrate our 25th anniversary, Spring 2019 saw us looking over the pond to the "Felt Cave" to create a special cover with installation artist, painter and almost-performance artist, Lucy Sparrow. With her interactive and immersive life-sized installations, all made of felt, Sparrow has not only captivated audiences with the sheer mass and detail of what she produces for her exhibitions, but she has also created the "wow" factor and question of "what is this? What is it telling me? What is art? What is commerce?" After a photo session with Juxtapoz contributor, Ian Cox, Sparrow re-created her photo shoot as a massive Juxtapoz cover created out of felt, the final result you see on the cover of Spring 2019.

Also in the Spring 2019 issue:

—We get a one-on-one with one of the greatest living painter, Neo Rauch
—On the eve of her solo show with Anton Kern, we talk surrealism with Julie Curtiss
—Emily Mae Smith has been all over the world, and we find out what makes her tick
—Antony Micallef tells us the backstory on his thick, engrossing portraits
—After finding success in Tokyo, Spanish artist Javier Calleja illuminates on his process
—We watch Maxwell McMaster paint the sky
—One of contemporary art's rising stars, Vaughn Spann, talks about the balance of abstraction and figurative painting
—Miranda Barnes takes us on a photo shoot through America
—Studio Arhoj takes us through their Danish ceramic studio
—Jazoo Yang changes our perception of Korean street art and politics... 
... —and Kate Klingbeil opens at her Juxtapoz Projects studio at Mana Contemporary...

Over the past 25 years, we at Juxtapoz have seen our scope grow from the underground scenes of pop surrealism, graffiti, comics, and collectibles become a worldwide phenomenon. As the Winter 2019 issue sees us celebrate a quarter century of one of the leading independent publications in the world, we thought none other than NYC-based artist KAWS would best represent the evolution of Juxtapoz and the art world since 1994. Just in time for his newest solo show, GONE, now on view at Skarstedt Gallery in NYC, we sat down with KAWS in both Tokyo and Brooklyn over the course of 2018, as he prepped not only a new solo show but massive public art projects around the world as well as an assortment of fashion and toy collaborations. 

Also in the Winter 2019 issue: 
—Inside the poetic work and career of Swoon
—The evolution of REVOK, in his own words
—An extensive conversation with curator Donna De Salvo, on Andy Warhol's new retrospective at the Whitney Museum 
—Louise Bonnet on beauties and beasts
—Tokyo's Haroshi on how skateboarding became his building block in life
—James Jarvis goes back to the absolute basics
—Muzae Sesay and the ever-changing landscape of Bay Area art
—Pat Perry and 21st Century Midwest American painting
—Wandering the streets of Northern California with Bill Owens
—Drama in the details with Sofie Ramos
—A special on Axel Void's incredible artist-in-residence program... 

... a Rodarte continues to change the world of fashion, one stitch at a time... 

The Fall season always means the gallery world is getting back into full swing, with major highlighted shows opening in September and October. We are excited to announce our Fall 2018 issue with a cover story on Brooklyn-based, Vermont-born painter, Grace Weaver, as she opens a major solo show, BEST LIFE, at James Cohan in NYC. We sat down with Weaver at her Brooklyn studio over the course of a few sessions leading up to the show, learning about her process and ability to tell complex daily life stories within her large-format paintings. It was our chance to see the progress of what we think is going to be an illustrious and exciting career for an emerging artist. 

Also in the Fall 2018 issue:

We feature long format interviews with Todd Schorr, Mark Thomas Gibson, Cheyenne Julien, Super Future Kid, Martin Gordopelota, Edie Fake and look at the upcoming Auto-Didactic: The Juxtapoz School exhibition at the Peterson Automotive Museum in Los Angeles. 

PLUS, we talk with Ruth Asawa's daughters about their mothers legacy, JR tells us about his latest projects, follow the photography works of Carolyn Drake, look at the fresh T&C Surf works of Steve Nazar, amaze on Sebas Velasco's painterly murals, get the inside scoop on Zered Bassett's Paper Skaters and spend 9 days in Tokyo with Russ Pope.

When one of the biggest and legendary names in graffiti and street art is about to open a new exhibition, we are all ears. Well, its come to the point now that when Brazilian twins OSGEMEOS are set to open something new, the world takes notice, from high culture to low, street culture to blue chip culture. Hence was the buzz when they opened their latest show during Art Basel Hong Kong at Lehmann Maupin this past Spring. The buzz was widespread. This is where we sat down with the already 2x cover artists for their most recent foray onto the cover of Juxtapoz. 

We are excited to announce our Summer 2018 Issue with cover artists, OSGEMEOS, featuring an extensive interview documenting their early roots in São Paulo, their newest gallery works, and intimate stories of all the friends they have made along the way.

Also in Summer 2018

Longform interviews with Oli Epp, Lamar Peterson, KOAK, Jeffrey Cheung, Monica Kim Garza, Serena Cole and an essay on the greatness of Magritte.

And, we dig deep with Know Hope, Jasper Johns, Alina Tsvor, A Savage of Parquet Courts, Rammellzee, Fulton Washington, and more!

Juxtapoz Magazine is excited to announce the Spring 2018 issue, featuring Parisian painter, Inès Longevial, on the cover. For the cover itself, we captured Longevial in her Paris studio in front of her beautiful and serene portrait works, paintings that caught our attention not only on her Instagram account but after her standout solo show at HVW8 Gallery in Los Angeles. On the occasion of her cover story for the Spring 2018 issue, editor Evan Pricco talks to her about developing a classic portrait style in the 21st Century, a love of oil paint and her upcoming show at Galerie M in Toulouse, France.

Also in the Spring 2018 issue:
—James Jean gives a sneak peek into his studio before his upcoming solo show at Kaikai Kiki Gallery, Tokyo
—Theresa Chromati talks paintings, designs, illustration, glitter and more
—Max Hollein of the Legion of Honor gives us the lowdown on history and influence of art world star, Julian Schnabel
—In his first interview in 6 years, influential street artist Escif is still absurd, funny and genius
—Jillian Evelyn has arrived, in painting and ceramics
—From murals to collage, Franco "JAZ" Fasoli is at the top of his game...
—We go painting in the air with Rebecca Louise Law
—Mike Shine goes muraling and moonshining in Asheville, North Carolina
—Pejac opens up about silhouettes and subtlety
—We get an in-depth look behind Mike Kelley's Kandors projects... 
—Aza Ziegler tells us about her new clothing line, Calle Del Mar ... 
... and Serge Lowrider gives us all a lession in Swiss perfection...

Juxtapoz has gone back to its original roots. Yes, we are excited to announce that our first issue of 2018 is also our return to a quarterly format, only this time, we have more pages, bigger size, better paper and more artist features than we have ever had. We kick off Winter 2018 with a special cover story on one of America's most important living painters, Kerry James Marshall, as his career has been recently showcased in a major retrospective, Mastry, that has toured the United States. We get an intimate, candid conversation with KJM about his life in painting, development of his style, and what an artist does now after getting a major retrospective. 

Also featured in Winter 2018
—Interviews with Anja Salonen, Daniel Rich, Luke Pelletier, Smithe and Kip Omolade
—A look back at the illustrious career of Gustav Klimt
—An in-depth, special dedication to our late founder, Greg Escalante, with comments from the artists in his life
—Cheryl Dunn on her life in street photography
—We get inside the studio of the grotesque visionary, Sarah Sitkin
—Kerin Rose Gold takes inside her creative process with her new eyewear collection
—Martyn Reed writes about the historical importance of Stencil Art
—Mike Lee shows his floating dancers to us in Tokyo
—Juxtapoz takes a city tour of Mexico City . . . 
— Plus we review the opening of Urban Nation in Berlin ... 

... and we take a look at the legacy of the legendary London print house, Picture on Walls

We can all admit, 2017 was a bit tumultuous no matter where you lived in the world. For the December 2017 issue, we went with a reflective pose, a piece of paradise in the distance vibe. Jules de Balincourt is the artist behind the December 2017 cover of Juxtapoz, and the NYC painter has been mastering the lush, adventure style paintings, transforming the rural and urban into a dreamlike setting. Sitting down with fellow NYC artist, Marcel Dzama, de Balincourt discusses community, Vincent Price and the surfing in Costa Rica. 

Also in the December 2017 issue:
—Amir H Fallah on the art of intervention
—Genieve Figgis on play
—A look back on the influential and illustrious career of Robert Rauschenberg   
—APEXER on being a San Francisco staple
—Sainer of Etam Cru finds the road to harmony
—We follow John Wentz on his journey around NYC
—Eddie Martinez gets the institutional credit at Wellesley College
—Maria Svarbova finds the perfect color and balance in her photography
—Ezra Koenig of Vampire Weekend on his Netflix show, "Neo Yokio" 
—The MoMA asks the question, "Is Fashion Modern?"...

—... and Robert Williams pens a tribute to his late friend, Juxtapoz co-founder, Greg Escalante

To be 32 years-old and about to have your first solo museum show, at the Whitney Museum in NYC no less, is a major deal. We are so excited to have Toyin Ojih Odutola on the cover of our November 2017 issue, as she has been one of our favorite artists of recent years and wanted to celebrate her museum show, To Wander Determined, in proper fashion. Coinciding with her interview, we feature 3 new paintings of her work that will be on view at the Whitney starting on October 20, 2017. 

Also in the November 2017:

—We sit down with Trent Reznor of Nine Inch Nails to discuss a life of art within his music
—Christian Rex van Minnen exposes his inner-self and a stunning series of new works
—Matthew Palladino gives us a review of his reliefs
—Saner goes beyond the mask
—Adam Neate takes us deep into his Dimensionalism 
—Axel Void opens up about his personal works and life-affirming murals
—We visit and review two great street art festivals at opposite ends of the world: Nuart in Stavanger, Norway and The Unexpected in Fort Smith, Arkansas
—We preview and review the comprehensive Walker Evans exhibition at SFMoMA
—Ryan McGinness and Tony Hawk teamed up for a new skate park in Detroit, and we got the lowdown
—Danielle Colen of Waltz Studio shows us her new fashion line... 

.... plus, Obi Kaufmann wanders the mountains and trails of California and shows us how to make a Field Atlas. 

Fall 2024

JUXTAPOZ  - Fall 2024

Summer 2024

JUXTAPOZ  - Summer 2024

Spring 2024

JUXTAPOZ  - Spring 2024

Winter 2024

JUXTAPOZ  - Winter 2024

Fall 2023

JUXTAPOZ  - Fall 2023

Summer 2023

JUXTAPOZ  - Summer 2023

Spring 2023

JUXTAPOZ  - Spring 2023

Winter 2023

JUXTAPOZ  - Winter 2023

Fall 2022

JUXTAPOZ  - Fall 2022

Summer 2022

JUXTAPOZ  - Summer 2022

Spring 2022

JUXTAPOZ  - Spring 2022

Winter 2022

JUXTAPOZ  - Winter 2022

Fall 2021

JUXTAPOZ  - Fall 2021

Summer 2021

JUXTAPOZ  - Summer 2021

Spring 2021

JUXTAPOZ  - Spring 2021

Winter 2021

JUXTAPOZ  - Winter 2021

Step into the vibrant and diverse world of contemporary art with JUXTAPOZ Magazine. We're excited to introduce you to this publication, your ultimate source for all things related to art, creativity, and the latest developments in the artistic landscape. 

JUXTAPOZ Magazine, published by High Speed Productions, Inc., is not just a magazine; it's your passport to the world of contemporary art. 

As you explore the pages of JUXTAPOZ Magazine, you'll find a world of content that celebrates the vibrancy of contemporary art:

* Artistic Expression: Dive into the world of artistic expression, featuring visual art, painting, sculpture, street art, and more.
* Emerging Artists: Discover the work of emerging and underground artists who are redefining the boundaries of creativity.
* Art Movements: Explore the latest art movements, trends, and the evolution of the contemporary art scene.
* Creative Insights: Gain insights from artists, curators, and creative minds who share their experiences and perspectives.
* Art and Culture: Immerse yourself in the intersection of art and culture, including music, fashion, and design. 

JUXTAPOZ Magazine is your essential resource for celebrating contemporary art, exploring creative expression, and connecting with a community that values the beauty of visual arts. Subscribe now and become part of a community that appreciates the diversity and creativity of contemporary artists.

1. Usted acepta que el uso de Magzter.com, la aplicación y sus servicios son bajo su propio riesgo. Ni Magzter.com ni sus asociados ni empleados ni proveedores de contenido de terceros garantizan que el servicio será completamente ininterrumpido o libre de errores o infalible contra actividades maliciosas. Tampoco garantizan que obtendrá los resultados exactos esperados o prometidos por el sitio web o el producto.

11. EL SERVICIO Y TODAS LAS PUBLICACIONES SE PROPORCIONAN 'TAL CUAL' Y 'SEGÚN DISPONIBILIDAD'. MAGZTER, SUS AFILIADOS, PROVEEDORES, LICENCIANTES Y AGENTES RENUNCIA EXPRESAMENTE A TODAS LAS GARANTÍAS DE CUALQUIER TIPO, YA SEA EXPLÍCITA O IMPLÍCITA, INCLUIDAS, ENTRE OTRAS, LAS GARANTÍAS IMPLÍCITAS DE COMERCIABILIDAD, IDONEIDAD PARA UN FIN DETERMINADO Y NO VIOLACIÓN. SIN LIMITAR LO ANTERIOR, NI MAGZTER NI SUS AFILIADOS, PROVEEDORES, LICENCIANTES O AGENTES OFRECEN NINGUNA GARANTÍA DE QUE (I) EL SERVICIO CUMPLIRÁ CON SUS REQUISITOS, (II) EL SERVICIO SERÁ ININTERRUMPIDO, PUNTUAL, SEGURO O LIBRE DE ERRORES, ( III) LA INFORMACIÓN QUE PUEDE OBTENERSE DEL USO DEL SERVICIO O QUE PUEDE ESTAR CONTENIDA EN LAS PUBLICACIONES SERÁ EXACTA O CONFIABLE, O (IV) LA CALIDAD DE CUALQUIER PUBLICACIÓN O DEL SERVICIO CUMPLIRÁ CON SUS EXPECTATIVAS. USTED ES EL ÚNICO RESPONSABLE DE OBTENER Y MANTENER UNA CONECTIVIDAD CONFIABLE A INTERNET Y SU DISPOSITIVO. MAGZTER NO ES RESPONSABLE DE SU INCAPACIDAD PARA DESCARGAR CONTENIDO. CUALQUIER MATERIAL DESCARGADO U OBTENIDO DE OTRO MODO A TRAVÉS DEL USO DEL SERVICIO SE REALIZA BAJO SU PROPIA DISCRECIÓN Y RIESGO Y USTED SERÁ EL ÚNICO RESPONSABLE DE CUALQUIER DAÑO A SU SISTEMA INFORMÁTICO O DISPOSITIVO MÓVIL O PÉRDIDA DE DATOS QUE RESULTE DE LA DESCARGA DE DICHO MATERIAL. NINGÚN CONSEJO O INFORMACIÓN, YA SEA ORAL O ESCRITO, OBTENIDO POR USTED DE MAGZTER O A TRAVÉS DEL SERVICIO CREARÁ NINGUNA GARANTÍA.

2. Mantendrá y actualizará de inmediato esa información para mantenerla verdadera, precisa, actual y completa. Usted es responsable de mantener la confidencialidad de su cuenta y contraseña y de restringir el acceso a su computadora, y acepta aceptar la responsabilidad de todas las actividades que ocurran en su cuenta, incluida la selección y el uso de todo el contenido y los servicios.

3. En ningún caso Magzter.com o cualquier persona o entidad o tercero involucrado en la creación, producción y distribución del contenido en el sitio web y la aplicación será responsable por contrato o legalmente por cualquier daño, incluidos, entre otros, directos, indirectos, incidentales, especiales y consecuentes incurridos por usted durante o al usar Magzter.com. Al registrarse en el sitio web o descargar la aplicación, acepta que las disposiciones mencionadas en esta sección se aplicarán a todo uso y contenido del sitio web y la aplicación.

3. Sin el permiso previo por escrito o autorizado de Magzter, no debe modificar, copiar, distribuir ni vender ningún contenido obtenido de Magzter, ya que todo lo publicado aquí es propiedad exclusiva de Magzter o sus licenciantes. Dado que dicho uso no autorizado también puede violar las leyes aplicables, incluidas las leyes de derechos de autor y marcas registradas, Magzter las prohíbe estrictamente y cancelará su acceso y su cuenta si se prueba o detecta dicha actividad ilegal. También debe ser responsable de los daños causados por estas actividades no autorizadas. Salvo que lo permita el propietario legítimo de la Publicación, usted reconoce que no adquiere ningún derecho de propiedad al descargar las Publicaciones a las que accede a través del Servicio. Salvo que lo exija explícitamente la ley de derechos de autor o lo permitan las características del Servicio, no puede modificar, aplicar ingeniería inversa, publicar, transmitir, exhibir, participar en la transferencia o venta, crear obras derivadas de, o de ninguna manera explotar comercialmente o proporcionar a un tercero el contenido de la Aplicación, las Publicaciones o cualquier parte de ellas sin el permiso expreso de Magzter y el propietario de dicho contenido. No le otorgamos ninguna licencia, expresa o implícita, de la propiedad intelectual de Magzter o de los licenciantes de Magzter.

5. Usted reconoce específicamente que Magzter.com no es responsable de ningún tipo de conducta difamatoria, ofensiva o ilegal de otros usuarios o terceros o su contenido y que el riesgo de lesión por lo anterior recae completamente en usted.

8. Magzter se reserva todos los derechos de monitorear el contenido publicado e ingresado por usted con el fin de determinar si cumple con estos términos y condiciones y otras reglas operativas determinadas por Magzter. Magzter tiene derecho a tomar decisiones sobre los contenidos y eliminarlos a su propia voluntad.

9. Magzter es un distribuidor y NO un editor de las Publicaciones, por lo que Magzter no tiene control editorial sobre el contenido, incluidas opiniones, consejos, declaraciones, servicios, ofertas, etc., que se representa en las revistas. Por lo tanto, Magzter no asumirá responsabilidad por la exactitud o confiabilidad de cualquier información o hecho proporcionado en el mismo o que esté disponible a través del servicio, por cualquier persona que no sea empleados autorizados de Magzter que estén actuando en sus capacidades oficiales. En consecuencia, no tenemos control editorial sobre las Publicaciones. Cualquier opinión, consejo, declaración, servicio, oferta u otra información o contenido expresado o puesto a disposición por terceros, incluidos los realizados en las Publicaciones ofrecidas por el Servicio, son de los respectivos autores o editores y no de Magzter. Magzter no será responsable de ninguna pérdida o daño causado por su confianza en la información obtenida a través del Servicio o de las Publicaciones. El Servicio puede contener enlaces a otros sitios de Internet y recursos de terceros y Magzter no asume ninguna responsabilidad por las comunicaciones o materiales disponibles en dichos sitios vinculados. Estos enlaces se proporcionan únicamente para su comodidad. Usted es el único responsable de comprender los términos y condiciones que puedan aplicarse cuando visita o realiza un pedido a través de un sitio de terceros.

El acceso, la navegación y el uso del sitio web de Magzter, los servicios de Internet y las aplicaciones para dispositivos móviles ('Aplicación') están sujetos a los siguientes Términos y condiciones ('Términos'). Por favor, lea estos Términos detenidamente. Crear una cuenta con Magzter ('nosotros', 'nosotros') o usar cualquier servicio o aplicación de Magzter o relacionado con Magzter significará que ha leído, entendido y acepta estar sujeto a estos Términos y cumplir con todas las leyes aplicables y reglamentos Estos Términos constituyen un acuerdo vinculante entre usted y Magzter Inc. y sus afiliados. Si no está de acuerdo con estos Términos, no puede usar el Servicio. ESTOS TÉRMINOS CONTIENEN RENUNCIAS DE GARANTÍA Y OTRAS DISPOSICIONES QUE LIMITAN LA RESPONSABILIDAD DE MAGZTER, POR LO QUE POR FAVOR LEA ESTOS TÉRMINOS EN SU TOTALIDAD. Magzter se reserva el derecho de cancelar inmediatamente su acceso al sitio web, servicio o aplicación relacionada con Magzter, si no cumple con este acuerdo. El sitio web de Magzter, los servicios de Internet y las aplicaciones para dispositivos móviles constituyen colectivamente el 'Servicio'. Este Servicio es propiedad y está operado por Magzter Inc. El Servicio incluye el sitio web www.magzter.com y la aplicación que le brinda la capacidad de ordenar, suscribirse y recibir la entrega de varias revistas, libros, noticias y contenido relacionado con revistas y publicaciones. (conocidos colectivamente como 'Publicaciones') y recibir estas versiones digitales de las Publicaciones.

 Detalles del contenido objetable, incluido su enlace en nuestra plataforma

 Descarga tus títulos favoritos y léelos sin conexión, en cualquier momento y en cualquier lugar

 Regale a sus seres queridos una tarjeta de regalo de Magzter al instante y déles la libertad de leer sus revistas y periódicos favoritos de miles de títulos más vendidos.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Regara a tus seres queridos una Tarjeta de regalo de Magzter y dales la libertad de leer sus revistas favoritas entre {{magCount}} títulos internacionales de mayor venta.

Girish Ramdas es cofundador y director ejecutivo de Magzter, una empresa nueva con sede en Nueva York que ha estado causando sensación en el negocio editorial digital mundial. Magzter ha superado los 80 millones de usuarios desde su creación en 2011 de más de 150 países con miles de revistas, periódicos y libros de más de 4500 editoriales de todo el mundo. Tiene más de 25 años de experiencia en publicación multiplataforma, incluido el desarrollo web, móvil y impreso. Durante este período, cofundó y dirigió tres exitosas empresas emergentes. Ha permitido que las empresas de revistas se vuelvan digitales y las ayuda a monetizar su contenido en todo el mundo digital. La profunda experiencia de Girish en la industria en ecosistemas en línea, móviles y editoriales lo ha convertido en un experto en adquisición, mercadeo y monetización de contenido digital en plataformas a nivel mundial.

 En caso de que encuentre algún contenido objetable en nuestra plataforma, hemos implementado una política de reparación de quejas para abordar sus inquietudes.

Magzter Inc. (”Compañía” , ”nosotros” , ”nos”  o ”nuestro” ) sabe que le importa cómo se usa y comparte su información personal.Lea la siguiente política de privacidad(la ”Política” ) para obtener más información sobre nuestras prácticas de privacidad.Al visitar cualquiera de los sitios web operados por la Compañía y cualquiera de sus subdominios, o al usar cualquiera de nuestras aplicaciones móviles y otros métodos de distribución de contenido(colectivamente, el ”Servicio” ), usted reconoce que acepta las prácticas y políticas descritas.en esta Política, y usted acepta que recopilaremos, usaremos y compartiremos su información de las siguientes maneras.

Magzter Inc. es el puesto de periódicos digital multiplataforma de autoservicio más grande y de más rápido crecimiento del mundo con más de 80 millones de usuarios desde su creación en 2011 y miles de revistas y periódicos en más de 40 categorías y más de 60 idiomas. Con sede en Nueva York, Magzter tiene presencia local en Ámsterdam, Londres, Ciudad de México, Chennai, Mumbai, Nueva Delhi, Bangalore, Singapur y pronto se expandirá a otros países. Fundada por los empresarios globales, Girish Ramdas y Vijay Radhakrishnan en junio de 2011, Magzter permite a los editores de revistas y periódicos de todo el mundo crear y entregar ediciones digitales de sus títulos a los consumidores globales.

 Magzter se compromete a proporcionar una plataforma segura para nuestros usuarios. Tenga en cuenta que Magzter es simplemente una plataforma para que los editores distribuyan su contenido. No controlamos ni respaldamos el contenido publicado en nuestra plataforma. No podemos responsabilizarnos por las acciones de nuestros editores o su contenido.

Magzter no es responsable de indemnizar a ninguna parte que haya sufrido daños o incurrido en costos debido a cualquier contenido, o parte del contenido, que viole sus derechos. Magzter no es responsable de enfrentar ninguna acción legal en un tribunal civil por cualquier violación de derechos causada por cualquier contenido, o parte del contenido, que infrinja los derechos de un tercero.

Magzter ofrece el servicio de suscripción ”All- You - Can - Read”  más grande del mundo llamado Magzter GOLD, que brinda a los lectores digitales acceso ilimitado a más de 9,000 revistas y periódicos por un precio de suscripción mensual.Magzter también tiene la mayor cantidad de historias en el mundo con su innovadora función ezRead 2.0 para sus aplicaciones, que permite a los usuarios de teléfonos inteligentes y dispositivos móviles de pantalla pequeña disfrutar el contenido de la revista de la manera en que debe disfrutarse, con el texto del artículo que es fácil de leer y se acompaña de impresionantes videos y fotografías de alta resolución.

Nombre

Llena este formulario si necesitas ayuda para publicar tu contenido en Magzter

 Antes de Magzter, fue presidente de Dot Com Infoway (DCI) y Galatta Media. Sus funciones incluían marketing estratégico, desarrollo de asociaciones y monetización de contenido a nivel mundial. DCI creció de un pequeño equipo de 3 en 2000 a 300 en 2011 y se ocupaba del desarrollo web, de software y de aplicaciones para clientes de todo el mundo.

Desde que iniciamos, Magzter ha estado comprometida para asociarse con organizaciones globales para brindar la mayor tecnología y servicio de puesto de revistas posible a nuestros clientes. Si estás buscando ofrecer suscripciones a revistas a tu base de datos de clientes o si solo quieres aprender más, Magzter está comprometida a ayudar al crecimiento de tu empresa. Para obtener más información, llena el siguiente cuestionario:

 La DMCA nos permite restaurar el contenido eliminado si la parte que presentó el Aviso de DMCA original no presenta una acción judicial en su contra dentro de los diez días hábiles posteriores a la recepción de la copia de su Contraaviso.

Esta Política cubre el tratamiento de la Compañía de la información de identificación personal(”Información personal”) y otra información sobre usted y su computadora o dispositivo que la Compañía recopila cuando accede al Servicio.Podemos recopilar Información personal de usted, como se explica con más detalle a continuación, y usamos esta Información personal internamente en relación con nuestros Servicios, incluso para personalizar, proporcionar y mejorar nuestros productos, servicios, contenido y publicidad, y para permitirle para configurar una cuenta y un perfil de usuario, para contactarlo, para cumplir con sus solicitudes de ciertos productos y servicios, y para analizar cómo usa los Servicios.En ciertos casos, también podemos compartir cierta información personal con terceros, pero solo como se describe en el punto 4.

Este título está incluido con su suscripción Magzter GOLD

 Para analizar la calidad del contenido y proporcionar comentarios apropiados a los editores.

 Hemos designado un oficial de quejas para abordar cualquier queja relacionada con contenido objetable.

 Solicitamos que cualquier queja relacionada con contenido objetable se envíe al Oficial de quejas por correo electrónico a la dirección de correo electrónico mencionada anteriormente. También le solicitamos que proporcione los siguientes detalles al presentar una queja

y la Aplicación que le brinda la capacidad de ordenar, suscribirse y recibir la entrega de varias revistas, libros, noticias y contenido relacionado con revistas y publicaciones (conocidos colectivamente como "Publicaciones") y recibir estas versiones digitales de las Publicaciones

C.También recopilamos información asociada con su uso de la aplicación para hacer recomendaciones personalizadas.Si nos proporciona las credenciales de su cuenta de terceros, comprende que parte del contenido o la información de esas cuentas(”Información de la cuenta de terceros”) se puede transmitir a su cuenta con nosotros si autoriza dichas transmisiones, y esa cuenta de terceros La información transmitida al Servicio está cubierta por esta Política.

 F. La información personal que recopilamos nos permite responder a sus solicitudes, mejorar nuestros productos y servicios, personalizar la publicidad y el contenido que ve y comunicarnos con usted sobre nuevos productos.

es el puesto de periódicos digital multiplataforma de autoservicio más grande y de más rápido crecimiento del mundo con más de 85 millones de usuarios desde su creación en 2011 y miles de revistas y periódicos en más de 40 categorías y más de 60 idiomas. Con sede en Nueva York, Magzter tiene presencia local en Ámsterdam, Londres, Ciudad de México, Chennai, Mumbai, Nueva Delhi, Bangalore, Singapur y pronto se expandirá a otros países. Fundada por los empresarios globales, Girish Ramdas y Vijay Radhakrishnan en junio de 2011, Magzter permite a los editores de revistas y periódicos de todo el mundo crear y entregar ediciones digitales de sus títulos a los consumidores globales.

 norte. También utilizaremos la información de uso para garantizar que los usuarios cumplan con nuestros Términos de uso. Por ejemplo, la información de uso de un usuario nos ayudará a confirmar que un usuario solo descarga una revista u otro contenido un número permitido de veces o en un número permitido de dispositivos.

 que brinda a los lectores digitales acceso ilimitado a más de 9,000 revistas y periódicos por un precio de suscripción mensual. Magzter también tiene la mayor cantidad de historias en el mundo con su innovadora función ezRead 2.0 para sus aplicaciones, que permite a los usuarios de teléfonos inteligentes y dispositivos móviles de pantalla pequeña disfrutar el contenido de la revista de la manera en que debe disfrutarse, con el texto del artículo que es fácil de leer y se acompaña de impresionantes videos y fotografías de alta resolución.

JUXTAPOZ - Winter 2023

JUXTAPOZ - Winter 2023

En este asunto

JUXTAPOZ Magazine Description: