The Scenographer - March/April 2020![](/static/icons/sharenew.svg)
The Scenographer - March/April 2020![](/static/icons/sharenew.svg)
Esta revista no está disponible en tu país
En este asunto
ALBERTO SANSEVERINO
Executive Creative Director
EVENT IS AN INDUSTRY THAT BROADLY EMBRACES SEVERAL DISCIPLINES LIKE ENTERTAINMENT, DIGITAL TECHNOLOGY, AND NARRATIVE. FROM THE ORIGINAL PURPOSE TO PROMOTE A BRAND AND GENERATE EXCITEMENT, NOWADAYS EVENTS OCCUPY AN IMPORTANT POSITION IN THE CREATIVE FIELD ESPECIALLY IN SHANGHAI WHERE ALBERTO SANSEVERINO LIVE AND WORK SINCE 2011 AS EXECUTIVE CREATIVE DIRECTOR.
DOING EVENTS IN CHINA IS NOT JUST A WAY TO PROMOTE A PRODUCT BUT TO SET NEW TRENDS AND LIFESTYLES AND AS I LIKE TO SAY, A WAY FOR PEOPLE TO COMMUNICATE, ONLINE AND OFFLINE. WORKING IN THE LARGEST EVENT INDUSTRY IN THE WORLD MEANS EMBRACING THE GREAT EPOCHAL CHANGES, NEW LIFESTYLES AND THE EVOLUTION OF THE TECHNOLOGY OF THE WORLD THAT HAS MOVED ITS AXIS TOWARDS ASIA.
The Scenographer Magazine Description:
Editor: Study Centre Scenic Arts Ltd
Categoría: Entertainment
Idioma: English
Frecuencia: Bi-Monthly
THE SCENOGRAPHER launches a new collection of monographic issues on theatre design.
European critics and academics of note have contributed to its contents. Thanks to their expertise THE SCENOGRAPHER continues to be one of the leading journals on stage design in Europe.