ArtReview Asia- All Issues
Launched in May 2013 and published quarterly, ArtReview Asia brings the values of ArtReview to the artistic production of the world’s largest and most diverse continent. With its headquarters in Shanghai, and associate editors and contributors spread across the continent, ArtReview Asia covers art from both the West and the East, and a few places in between, and targets readerships based in Asia and those with an interest in Asia’s art scenes worldwide. ArtReview Asia’s writers include some of the leading critics and fiction writers in the region, among them awardwinning Thai writer Prabda Yoon and leading Tamil writer Charu Nivedita. Reviews have an emphasis on shows in Asia or by artists from Asia, and the majority of ARA’s writers and critics are based in the territories they cover. As Asia’s art scenes evolve and develop to include some of the most commercially successful and internationally exhibited artists on the planet, ArtReview Asia aims to provide a central and independent platform upon which those contributions can be evaluated and discussed, without restraint or restriction, and in full consciousness of the ideas and contexts in which they have evolved. ArtReview Asia is uniquely placed to analyse art produced in Asia in the context of both local specificities and the global art discourse. In keeping with ArtReview’s core goals, ArtReview Asia is also dedicated to exploring the ways in which ideas developed by artists are absorbed by other cultural genres, from fashion and film to architecture and design. Artists, however, are at its heart: previous editions have featured collaborations with both the continent’s leading figures and its hottest new talents – from Rirkrit Tiravanija to Yuko Mohri, from Lee Bul to Haegue Yang and Apichatpong Weerasethakul, from Heman Chong to Birdhead, Waqas Khan, Chim Pom, Yang Fudong and Koki Tanaka.
