Modular column, by Tijmen Smeulders and Olivier van Herpt.
Despite being graduates of the same design school (the illustrious Design Academy Eindhoven), Tijmen Smeulders and Olivier Van Herpt have followed distinctly different paths.
Smeulders set up his Rotterdam studio upon graduating from the academy in 2013. His work, encompassing furniture, lighting and textiles, is sinuous and abstract, with clear influences from his teacher, Aldo Bakker. Van Herpt, meanwhile, finished his course at the Academy in 2015, and set up his D studio in Eindhoven, focusing on developing a 3D-printing technique that could be applied to clay. After created specialised machinery, he has magicked up a growing collection of 3D-printed ceramic vessels with part-futuristic, part-archetypal shapes.
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Esta historia es de la edición August 2017 de Wallpaper.
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POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings
Guiding light
Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
