Where others see chaos in the teeming metropolis, Pratap Morey spies a method in the madness. Where others merely see construction sites plied with massive concrete blocks, Morey divines pieces of puzzles waiting to be put together. For him the city is a jumble of modular components, akin to a massive jigsaw. All one needs to do is to decipher its hidden logic and crack the code. By looking beyond the physical attributes of the pieces, he portends their potential, imagining possible futures for them. What if, his works seems to ask, what if?
Building blocks
Much of the grist for Morey’s creative mills comes from the city he lives in, Mumbai. The artist never ceases to be amazed by how the metropolis lives up to its moniker, Maximum City. Here the smallest of spaces is territorialised, every inch coveted and fought over by people and infrastructure projects. Like trees fighting for sunlight in a dense tropical jungle, buildings shoot up skywards for the ground level offers them no freedom to expand. This vertical growth of the city, where a small vacant plot or an old house almost unbelievably metamorphoses into a skyscraper continues to fascinate Morey. By challenging his notions of space, it opens up new avenues of imagining the city and its possible transformation. The development of urban spaces also alters the way we navigate them and Pratap is equally invested in the movement of bodies within the city and their relationship to space, even though the human figure itself is conspicuously absent in his works. With their focus on linearity and precision his works are more akin to architectural drawings.
Esta historia es de la edición February 2020 de Domus India.
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Esta historia es de la edición February 2020 de Domus India.
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