![PART 5: PRODUCTION, COMPOSITING AND COLOUR AT ANIMAL LOGIC](https://magarticles.magzter.com/articles/5274/593698/6020a43c85be8/PART-5-PRODUCTION-COMPOSITING-AND-COLOUR-ATANIMAL-LOGIC.jpg)
Well, we’ve reached the end of our special deep dive into Animal Logic. For this final insight, 3D World gets the lowdown on production and what that vital role plays in managing so many visual effects and animation projects. Plus, we look at how the studio has a unique way of handling the compositing and colour grading process in its film work.
PRODUCTION FOCUS
We might all be familiar with what it means to model characters or complete shots, but what does ‘production’ mean, in the context of visual effects and animation? The production team’s role is in the creation, support and devising of strategic plans towards the completion of a particular project.
“We create plans and schedules based on initial assumptions,” outlines Sydney production manager Sean McAlear. “We support the execution of the production and give leadership to the rest of the production team, take on advice of the creative leadership and ultimately, we revise our initial plans and schedules as the creative evolves. The key is being willing and able to acknowledge an idea that will make the film better, but result in a complete rework of the schedule to accommodate it, and being excited about the challenge.”
A typical day in production at Animal Logic tends to involve many different aspects. It might include pulling the latest shot data for internal and client reporting and adjusting crew and completion schedules based on availability and budget. There’s also a heavy management side to a day in production, as Sydney’s production manager Hannah Roberson attests.
Esta historia es de la edición March 2021 de 3D World UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición March 2021 de 3D World UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
![RenderMan 26](https://reseuro.magzter.com/100x125/articles/5274/1736097/8LoqOpCjl1720097237563/RENDERMAN-26.jpg)
RenderMan 26
Knowing that the journey for Pixar’s RenderMan software began 37 years ago feels mind-boggling – but it’s still at the top of its game.
![Visualising Einstein's past for Netflix](https://reseuro.magzter.com/100x125/articles/5274/1736097/L-iBmgLTS1720096877039/VISUALISING-EINSTEINS-PAST-FOR-NETFLIX.jpg)
Visualising Einstein's past for Netflix
Lux Aeterna honed its expertise in CG to bring the famous physicist's memories back to life for Einstein and the Bomb
![BRANCHING OUT](https://reseuro.magzter.com/100x125/articles/5274/1736097/KB5fDmJFj1720096273247/BRANCHING-OUT.jpg)
BRANCHING OUT
Whiskytree founder and CEO Jonathan Harb lifts the lid on the studio's story and its phenomenal success in turbulent times
![CAN I CREATE SMOKE OR FOG EFFECTS ON A MOBILE DEVICE?](https://reseuro.magzter.com/100x125/articles/5274/1736097/kS3Smfu9V1720095890867/CAN-I-CREATE-SMOKE-OR-FOG-EFFECTS-ON-A-MOBILE-DEVICE.jpg)
CAN I CREATE SMOKE OR FOG EFFECTS ON A MOBILE DEVICE?
Liquids, fur, hair, steam, smoke, fog, fire, magical effects and so much more are all daily requirements in most 3D packages, but are almost always created with a particle system of some type.
![Fusion Studio 19](https://reseuro.magzter.com/100x125/articles/5274/1736097/41HbVZhU91720095432993/FUSION-STUDIO-19.jpg)
Fusion Studio 19
Now in its 10th year under the wings of Blackmagic Design, Fusion Studio is stronger than ever.
![DaVinci Resolve 19](https://reseuro.magzter.com/100x125/articles/5274/1736097/opZA0I4Vg1720095245939/DAVINCI-RESOLVE-19.jpg)
DaVinci Resolve 19
There are more choices on the market than ever when it comes to picking your favourite video editing software.
![Tribute to a sensei](https://reseuro.magzter.com/100x125/articles/5274/1736097/jkMf0OoOB1720094752969/TRIBUTE-TO-A-SENSEI.jpg)
Tribute to a sensei
The team at French visual development and game studio Umeshu Lovers walk us through creating their Akira Toriyama-inspired April Fools' demo
![DEVELOP ELECTRIC ATMOSPHERE WITH LIGHTNING EFFECTS](https://reseuro.magzter.com/100x125/articles/5274/1736097/KW7z42O651720094126560/DEVELOP-ELECTRIC-ATMOSPHERE-WITH-LIGHTNING-EFFECTS.jpg)
DEVELOP ELECTRIC ATMOSPHERE WITH LIGHTNING EFFECTS
Rob Redman delivers a bolt of brilliance with a quick guide to giving your scenes a high-voltage feeling
![BUILD A SELL-OUT STADIUM CROWD](https://reseuro.magzter.com/100x125/articles/5274/1736097/SWdS5zfdd1720093455624/BUILD-A-SELLOUT-STADIUM-CROWD.jpg)
BUILD A SELL-OUT STADIUM CROWD
Mario Leone takes to the stage with a step-by-step guide to creating an arena full of cheering people in Houdini
![DESIGN AND RENDER A SPELLBINDING CHARACTER](https://reseuro.magzter.com/100x125/articles/5274/1736097/SEandkhVQ1720092944247/DESIGN-AND-RENDER-A-SPELLBINDING-CHARACTER.jpg)
DESIGN AND RENDER A SPELLBINDING CHARACTER
Ivan Mironenko shares his process for creating a captivating figure in a bewitching scene