![Stop-motion training in a digital world](https://magarticles.magzter.com/articles/5274/721520/611cf19d0d0d4/Stop-motion-training-in-a-digital-world.jpg)
PASSIONATE FOCUS
A passion for the craft enriches commitment
“With the 12-week stop-motion courses it’s week-by-week of another craft, another skill being taught by directors and animators and going off and doing a task and responding,” says Hewis. “And [it’s about] being in a community of people. We’ve had an awful lot of people from the US, Colombia, rural India, Melbourne, Sydney, Qatar and all across Europe, and we become a group of geeks geeking out about stop-motion. It’s ace!”
There’s a real sense of satisfied surprise in Mark Simon Hewis’s voice when he recalls how, during the past two decades, the terrain and perception of stop-motion animation has radically evolved. “When Aardman was starting with Chicken Run they just couldn’t find enough animators,” he reveals. “They just couldn’t find people who did stop-motion. Stop-motion was incredibly unpopular if you weren’t Disney doing 2D, and it certainly wasn’t something that a lot of people dreamt about doing. And so Aardman realised that they almost had to train people up. So that’s what they did. They got people in who’d done a little bit or showed a lot of interest and they started doing a three-month course which trained people, and a lot of them walked straight onto Chicken Run; onto the highest-grossing stop-motion film in history. And, actually, some of the people who now teach on the Academy, who are directors and senior animators, they did that course.”
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Esta historia es de la edición October 2021 de 3D World UK.
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