In 1857, Ives became a full partner and the firm of Currier and Ives was born. The company produced thousands of hand-colored lithographs in unlimited editions ranging from 20 cents to $6 each. Palmer (1812-1876) produced over 200 of the company’s scenes although her name doesn’t appear on all of them. She and her husband were commercial illustrators in London and moved to the U.S. in 1844. A critic once wrote that her work had “a boldness and freedom not often exhibited by a female pencil.” Palmer’s output included her famed winter scenes and ranged from floral still lifes to smoky locomotives. Commenting on the popularity of her work one writer noted, “It is likely that during the latter half of the 19th century more pictures by Mrs. Fanny Palmer decorated the homes of ordinary Americans than those of any other artist, living or dead.”
Palmer’s playful scene is one aspect of life living in winter lands. David Vickery portrays its practical and communal side. A warm, inviting light emanates from inside the market while outside, supplies for what some say are Maine’s two seasons—winter and the Fourth of July—sit by their shoveled-out access. Vickery says, “I liked the evening mood of this scene, about 5 p.m. in January, when people are stopping by the store after work, and the beautiful contrast of warmth inside and cold outside, and the messy make-do aspect of winter life.”
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.