“Architecture is frozen music.” – Johann Wolfgang Von Goethe
“The sun never knew how great it was until it hit the side of a building.” – Louis Kahn
“Bricks to me are like faces.” – Laurie Baker
“Life is architecture and architecture is the mirror of life.” – I M Pei
“Even a brick wants to be something.” – Louis Kahn
We have often heard the above statements from the well-known names in the profession, they are high on the emotional content and why shouldn’t they be, since they come from people who live and breathe architecture.
However, even other than our professional lives, architecture permeates every pore of our daily life, no one can escape it. Our work, home and play is dominated by it. Our civilizations and societies get defined by it. We use it as a tool to convey the socio-cultural aspects of a society.
Architecture is created for posterity, we seek to leave our mark for the coming generations through it; it is an icon that defines us. When we as architects start to conceptualize a building these thoughts work at a very subliminal level in our minds. We connect emotionally with the emptiness of space; we visualize the built form in it and seek to transfer our emotions, our aspirations in the built form. The tools for our expressions are the materials, be it the humble brick or the grey concrete.
Any space for us is an emotional relationship, whether we are defining a path-breaking institution or workspace or a residence that will best define its resident. These emotions can be aptly defined only by the right use of materials, we understand the message that each material carries and try to make the best of it.
There are beautiful examples of architecture where the built form, material and intentions have come together seamless to create iconic and timeless pieces of architecture.
Each material evokes a very deep subconscious response in the onlooker, and we seek to tap into the same. Now technology has added more malleability to the age-old materials and we now have a larger palette of materials to play with.
Esta historia es de la edición August 2017 de Architecture + Design.
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Esta historia es de la edición August 2017 de Architecture + Design.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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A GRECIAN RETREAT
Shimona Bhansali imbues a subtle touch of opulence to this home in Mumbai
A BOLD STATEMENT
Dhampur Sugar Mills Limited's workspace in New Delhi designed and built by Officebanao adopts an industrial narrative
A BREATH OF FRAGRANT DESIGN IN DELHI'S HEART
An office that smells like perfumery; that is the vision that TWI brought to life in this office space designed for an acclaimed perfume company in India
MASTER OF ALL TRADES
The ethos of forward-thinking and ingenuity finds its architectural counterpart within the walls of Nikhil Kamath and Abhijeet Pai's office-a vision of organic design infused with the essence of India
A TOUCH OF OPULENCE
Designed by Aparna Kaushik, this Delhi office displays an interesting balance of classic aesthetics and contemporary sensibilities
THE WOODEN WONDERLAND
Priyanka and Piyush Mehra envision a stunning experience centre for Vikas Plywood
THE HUB: BUILDING COMMUNITIES
Studio Lotus designs a dynamic mixed-use community hub that activates Chennai's largest IT Park
THE WINNER'S PERCH
Baldiwala Edge designs a Singapore-based ship broker's office as a torch collector's paradise, offering a 360-degree bird's-eye view of the Mumbai skyline
THE DIRECTOR'S CABIN
Designed by Envisage, this office gives a new definition to the traditional notion of biophilia
Designing Corporate India
From weaving the magic of a Star Trek-themed command centre to crafting bespoke block-printed workstations, Vijaya Bhargav and Arnab Ghosh-the trailblazing co-founders of Ostraca-have astonishingly transformed a staggering 29 million square feet of office space for India's tech giants and global enterprises-all while maintaining a flat hierarchical company culture-fuelling a master class in corporate design