Gulammohammed Sheikh. Speechless City. Oil on canvas. 107.2 cms x 107 cms. 1975-77. Collection of the Kiran Nadar Museum of Art, New Delhi. Image courtesy of the artist.
THIS EXCERPT IS TAKEN FROM THE HOME/NATION ISSUE OF ART INDIA VOLUME V, ISSUE I, 2000.
IV.
Nearly two decades separate Sher-Gil's Bride's Toilet from M.F. Husain's Zameen and Ram Kumar's Sad Town. In those crucial years, independence had been achieved in bitter exchange for partition; the ethnic riots that attended these events, and the two-way diaspora of refugees between India and Pakistan, were to scar the subsequent history of the subcontinent. The passage to freedom had released both constructive and destructive energies on a mass scale, and the nascent Republic was held together mainly by the Nehruvian vision of a liberal, humane and ecumenical society, a vision confidently positivist in its regard for the scientific management of progress, yet sensitive to the conservation of India's traditional systems of creativity and skill. Indian artists saw themselves, in this phase, both as participants in the nation-building enterprise and as detached observers of its costs: their mood fluctuated between idealism and doubt.
Esta historia es de la edición March 2022 de Art India.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición March 2022 de Art India.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.