Like a time-tunnel that you can climb into, or a vortex, or a womb or a safe hole.
A mutation of color and pattern so light, a virus so subtle, that no one will notice its slow and transformative essence.
Except you.
You have chosen to be a part of this project that will culminate when our children have grown older and have left home. You and I may or may not be alive. Our lives will have changed in ways we cannot imagine now. Wars may have been waged or natural disasters that wreak havoc on civilizations will push humanity to rethink its relationships with other living beings and our planet. Cities may never sleep again. People who live longer than before can roam spaces of changing realities that have been mapped digitally and created in the mind.
This text will continue to change as I meet time and add narratives.
Here are some excerpts.
VIRUS I 2010
The first artificial life-form, Mycoplasma laboratorium, is created. It is a new series of bacterium, with a man-made genetic code, originating on a computer and placed on a synthetic chromosome inside an empty cell. Using its new “software”, the cell can generate proteins and produce new cells. Wikileaks, an online publisher of anonymous and classified material, leaks to the public over 90,000 internal reports about the United States-led involvement in the war against Afghanistan from 2004–10. More follow. I am 41.
VIRUS II 2011
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Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.