WHEN DID YOU FIRST WANT TO BECOME AN ARTIST?
When I was a kid, I used to watch the Saturday afternoon matinees on TV with my mum. There was a Bette Davis film called A Stolen Life where she plays an artist with this amazing studio. I knew then and there that was what I wanted to do.
WHERE DID YOU STUDY?
While I was studying for my foundation in art, I discovered I really liked three-dimensional design. Brighton Polytechnic [now Brighton University] did a great course in this, so Brighton is where I chose to do my degree.
HOW WOULD YOU DESCRIBE YOUR ARTWORKS?
They are labour-intensive collages. I re-appropriate printed ephemera to create fantastical worlds, as well as to rewrite storylines and characters from films I love.
WHAT INFLUENCES HELP DEFINE YOUR AESTHETIC?
There are so many! I listen to music by David Bowie, Laura Marling and Joan As Policewoman while I work, and these all influence my art.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
