Winner of the Artists & Illustrators award at this year’s Pastel Society exhibition, FELICITY HOUSE, chats to NATALIE MILNER about her glorious garden scenes
An unassuming subject can make a fascinating painting. “You can look at an impressive scene, but, instead, you can turn around and find one that needs noticing,” says the Dorset-based artist. And with the rustic garden scene in Espalier Tomatoes, the pastel painter has taken her own advice. Its juicy tomatoes, intricate composition and fascinating textural qualities prove that the familiar doesn’t have to mean dull. The delightful work was awarded the Artists & Illustrators prize at this year’s Pastel Society Annual Exhibition at London’s Mall Galleries earlier this year.
Felicity saw the fruit in the walled garden of West Dean College, near Chichester, where she taught art and was on good terms with the head gardener. “I went back the next week hoping that all those shades of red, green and orange would still be there, and they were,” she says. “So I homed in and set up my easel.”
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration