Asking an artist how they brew their tea may seem like an odd question when discussing their materials, but for Carne Griffi ths’s illustrations the British staple is as vital as the ink itself. Look at any painting from his latest exhibition, Nature’s Riches, and you’ll begin to notice the tea’s presence, from the soft vanilla hues of a freshly-made jasmine tea to the earthy browns of a more robust blend.
Alongside the eye-catching colours created by this unique combination of ink and tea, the drawings themselves also bring together pristine portraiture, intricate floral motives and free-flowing, abstract marks. The more you look at a piece, the more it fascinates as layer after layer of incredible detail reveals itself.
In Nature’s Riches, the London based artist wanted to explore how advertising uses imagery to entice us and to show what would happen if opulent products like high-end fashion, perfume and jewelry were replaced by nature. “The idea is that we should have this pride in nature, this appreciation of the natural world,” Carne explains. “So, I suppose the exhibition asks the question, what if we were to sell or advertise these items? And if we were to find them in a magazine, what would they look like?”
Esta historia es de la edición August 2020 de Artists & Illustrators.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2020 de Artists & Illustrators.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration