Katrina was born in Windsor in 1963 and raised in Norway. She completed a BA in Archaeology at University College London and spent a year studying art at the SACI College of Art and Design in Florence.
Alongside her later career as a counsellor, Katrina continued to paint and make prints in her free time, before making the decision to devote more time to her art in 2018. Now based in Bath, Somerset, she was elected to the Pastel Society this summer, after being selected for its last three annual exhibitions. www.katrinawallisking.art
How did you first develop your affinity with the landscape?
My mother is Norwegian, so I grew up there. I’ve got childhood memories of skiing, swimming in the fjords, going out hiking and all the different seasons of the year, so that obviously left an impression on me.
When did art become a more serious pursuit for you?
It wasn’t until more recently. In 2018, I was at a crossroads in life: I was in my mid-50s and I had a reasonable talent for art, but I’d never paid enough attention to it.
I’d dipped in and out of life drawing classes for years. I would do one a year, which doesn’t sound a lot, but it is when you’re working. Whenever I did one, I was in seventh heaven. I was working in drug and alcohol services, helping people reconnect with all the things that matter to them, things that would give value to their lives, and I suddenly thought: “Hang on, Katrina – what about you?”
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Esta historia es de la edición October 2021 de Artists & Illustrators.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration