ABOUT KIRSTEN
Kirsten Britt was born in 1975 and studied at Wimbledon School of Art. She lives in Bexhill-on-Sea, East Sussex, and works part-time in the special educational needs department at St Richard’s Catholic College. With a brand new website showcasing her work, Kirsten makes portrait commissions and regularly sells work to raise money for charity, including Twitter Arts Exhibit (TAE21) for the Leukaemia and Intensive Chemotherapy Fund, and the Sophie’s Postcard initiative for The Royal Marsden Cancer Charity. www.kirstenbritt.co.uk
Finding subjects
I’ve been drawn to portraiture since I was very little. I always come back to the human face, I love it in all its forms and expressions and colours. I think a portrait is a really unique way of capturing a moment in time as well.
My style is something that has evolved really. The artists who appeal to me have got a real signature style and you know what to expect from them – I wanted my work to have a similar signature, really.
Aside from the famous faces like Frida Kahlo or Billie Eilish, I use the Sktchy app to find my subjects. It’s a beautiful, collaborative community of artists who share photos with each other, as well as inspiration and ideas. The monthly fee (which I choose to pay) is optional, but gives access to additional content.
The source photos are all submitted by artists, so you know you are going to get nice lighting, interesting faces and unusual angles – things that are a bit different. Sourcing from Sktchy means that I have permission to use the photo too.
Sketching out
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration