If you’re not already familiar with the portraits of Jonathan Yeo, you will certainly have heard of his sitters. The 49-year-old artist has painted some of the most influential people of our time, ranging from political heavyweights such as the former prime ministers Tony Blair and David Cameron to royalty – he has painted official commissions of HRH The Duke of Edinburgh and HRH The Duchess of Cornwall – to Hollywood A-listers including Nicole Kidman, Helena Bonham Carter and Jude Law.
Forget coming face to face with these big names in real life, Jonathan’s portraits are even more likely to stop you in your tracks. In what the National Portrait Gallery describes as a combination of “photographic realism and a painterly touch”, the artist has given traditional portraiture a 21st-century makeover while achieving the holy grail of the genre: capturing the essence of his subject’s personality.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
