The year was 1992. I was 10 years old and at a film director’s house for a birthday party, where I met Kamal Hassan for the first time. He had a beard, the Thevar Magan beard, and he was wearing his shirt tucked into his high-wasted jeans, a black belt firmly holding it all together. He was married to Sarika then, and was there with six-year-old Shruti Haasan, and barely-a-year old Akshara. In true style, Kamal Haasan, who has always remained fiercely rooted to his culture while hurtling into the future with his experimental ideas, the game he organised for all of us to play wasn’t musical chairs or passing the parcel, but kabaddi. We were swiftly divided into two teams – Kamal himself joined one of the teams, my team, his jeans rolled up to his knees – and the game began. Right in the first round, Shruti lost. And, like any six-year-old unable to understand how that even makes a difference to ‘playing’ the game, she begged her father to let her in again. She complained, cried, went looking for help from her mother, but Kamal did not relent. ‘It’s a game,’ he told her. ‘You lost fair and square. You have to wait till we finish this game and begin the next one.’
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Esta historia es de la edición February - March 2020 de Arts Illustrated.
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A Sky Full Of Thoughts
Artist James Turrell’s ‘Twilight Epiphany Skyspace’ brings together the many nuances of architecture, time, space, light and music in a profound experience that blurs boundaries and lets one roam free within their own minds
We Are Looking into It
Swiss-based artists Jojakim Cortis and Adrian Sonderegger talk to us about the evolving meaning and purpose of photography and the many perspectives it lends to history
Cracked Wide Open
Building one of the world’s largest domes was no mean task for anyone, let alone an amateur goldsmith, so how did Filippo Brunelleschi accomplish building not one, but two of them?
In Search of a Witness
In conversation with legendary artist Arpana Caur on all things epiphanic, on all things pandemic, and on all things artistic
Where the Shadows Speak
The founder of Sarmaya Arts Foundation takes us through the bylanes of his journey with Sindhe Chidambara Rao, the custodian of the ancient art form of shadow puppetry – Tholu Bommalata
Bodies in Motion
What happens to the memory of a revelatory experience when it is re-watched through the frames of a screen? It somehow makes the edges sharper and the focal point clearer, as we discover through Chandralekha’s iconic Sharira
Faces in the Water
As physical ‘masks’ become part of our life, we take a look at artists working with different aspects of ‘faces’ and the things that lurk beneath the surface.
A Meeting at the Threshold
The immortal actor exemplified all that is admirable about his profession, from his creative choices to his work philosophy, and his passing was a low blow. This is our tribute to the prince among stars – Irrfan
The Imperfect Layout To The Imperfect Mystery
Jane De Suza’s ‘The Spy Who Lost Her Head’ doesn’t feature a protagonist with superhuman skills of deduction, nor a plot that fits together like a jigsaw puzzle. Here, quirks and imperfections are pushed into the spotlight
Free and Flawed
Greta Gerwig revitalises the literary classic, Little Women, highlighting the literary journey of its temperamental and wonderfully flawed female protagonist, Jo March