The bonsai passion of Stefan Gmur.
What was your professional education?
I was educated as a toolmaker in the watch industry and afterwards completed my studies at the Fachhochschule as a graduate engineer and business engineer. Today, I work as a divisional manager for one of the world's largest manufacturers of laser machine tools. In my department we manufacture laser micro processing machines.
What kind of bonsai education did you have?
Unfortunately, I did not enjoy a classical bonsai training. However, I read my own specialist magazines thoroughly and I followed online platforms. I also attended the workshop of artists from the bonsai scene and applied my newly-taught skills to my trees.
How did it all start? Can you tell us how you got into bonsai?
When, in the third class at school, we sowed oat seeds as a project. I took some home and planted them in a pot. From that time, the world of plants fascinated me so much that my room was more like a greenhouse than a child's. To learn more about plants, I often went to the library. There I made my first contact with a bonsai book. In short, I planted at home all sorts of maples and other native trees. At the age of 16, however, my interests turned towards triathlon sports. A maple survived this period. When I put the sport on the nail in 2002, I wanted to plant the maple in a beautiful bonsai pot and went to the most wonderful bonsai centre in Switzerland, at Schinznach. There the bonsai virus took over again with full force.
How did you get to know more about bonsai?
Esta historia es de la edición 2017-2 #145 March/April de Bonsai Focus EN.
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Esta historia es de la edición 2017-2 #145 March/April de Bonsai Focus EN.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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BETULA
The challenge to grow bonsai from scratch
Refreshing accents
Summer accent plants that grow near water
Cast in Iron
Saad Khayar's naturalistic and detailed tenpai
BONSAI FROM FRUIT
Propagate by sowing seeds, or taking cuttings to create new bonsai
THE ROUGH DIAMOND
Bjorn Bjorholm works on a juniper with hidden qualities
Little, but wild
Bringing out the best from material with many faults
My victory
The bonsai passion of Alfredo Salaccione
The Azuma pines
Daiki, the third-generation Abe, works on seed-grown pines
No turning back
David Quintana works on a Scots pine (Pinus sylvestris)
Kid's play or pot?
A (very) young artist creates unconventional pots that are seriously cool