His father Deszo “Dave” Gross was born in 1887 in the city of Szeged, Hungary, and in 1891, at the age of eight, he came to America with his family and settled in New York City. His mother Serena Krauss was born in 1891, in Hungary, and moved to America with her family at the age of 16 in 1906. His parents married in 1908, and had three children—George (b. 1909), Arthur (b. 1910), and their little sister, Beatrice (b. 1913). At first, the family lived in an apartment at 466 East Tenth Street on Manhattan’s Lower East Side, but after the arrival of their third child, the family moved to a larger apartment in Brooklyn, at 2365 83rd Street. The father, Dave Gross, had studied art at Pratt Institute of Brooklyn and had a successful career as an illustrator in the New York City fashion industry. He owned and operated a midtown art studio called Fashion Paper. One of his biggest clients was Montgomery Ward, a dry goods mail-order business based in Chicago. At that time it was too expensive to reproduce photographs by rotogravure, so all of the illustrations in the company catalog were drawn by hand and reproduced by a steel engraving.
By 1918, the father’s commercial art studio was prosperous enough for the Gross family to buy a private home at 105 Bay 29th Street in Brooklyn.
The 1926 and 1927 editions of Lee & Kirby’s Annual Directory of Advertising Arts & Crafts listed the “Dave Gross Art Studio at 229 Fourth Avenue in Manhattan.”
On December 2, 1926, all Brooklyn newspapers carried the heart-warming story of Arthur Gross, a 16-year-old sophomore at New Utrecht High School, who was awarded a $25 first prize for designing the best poster for Christmas Seals, which were displayed throughout the city’s trolley cars, subways, buses, and elevated trains.
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THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.
