Growing up in 1980s Manchester, he was at an impressionable age during a golden era of illustrated posters when cinema lobbies showcased works by Bob Peak, Richard Amsel, John Alvin, and Steve Chorney. Shipper gravitated mostly to the work of Drew Struzan, who became his virtual mentor and who he recognized as a master of the illustrated film poster.
While enthusiasm for traditionally illustrated movie posters among film executives is not what it was then, there has been an ever-increasing amount of appreciation among fans, including notable actors and directors, for the type of promotion that once accompanied films. Bit by bit, some at the studios, networks, and ad agencies have heard this enthusiasm and nurtured a return to illustrative art. Among the names praising Shipper’s work have been J.J. Abrams, Duncan Jones, Bob Gale, Simon Pegg, and Edgar Wright.
Many of the major studios in Hollywood have worked with Shipper. He’s created collectors edition BluRay covers, co-created the licensing art for Star Trek Discovery seasons 1 and 2. As well, he worked on official key art for some major blockbusters like The Last Jedi and Avengers: Infinity War. He won a prestigious Key Art Award in 2014, and an LCS Award for Excellence in Illustration in 2015. He speaks with humility, even vulnerability, which is surprising given the courage he’s shown and the sacrifices endured.
A pivotal moment in his career occurred when J.J. Abrams began directing Star Trek movies. Paul created posters for both films and shared them online.
“When I first saw the official poster in 2009, I remember feeling quite strongly that it was a wasted opportunity. Should’ve been illustrated.”
Esta historia es de la edición Illustration No. 66 de Illustration.
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Esta historia es de la edición Illustration No. 66 de Illustration.
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THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.