Virginia Blackstock focuses on powerful designs that show the effect of lights and shadows.
The luminosity of transparent watercolor and the rich darks that are possible with their staining pigments are a constant fascination for me. I strive to keep my colors clean and fresh, to let them mix wet into wet on the paper in order to bring my closely focused still lifes and natural subjects alive. At the same time, I try to use striking value contrasts to move the viewer’s eye around and through the painting; or to bring more focus to the center of interest.
My plan is to make a powerful design as it is affected by light and shadows. An unusual perspective of a usual scene or object gives impetus to my purpose of action and lends power to the painting. Patterns, colors and textures all call upon my skills to invest life into the subject.
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Esta historia es de la edición April - May 2019 de International Artist.
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A Sense of Depth
A solid grasp of foreground, mid and background makes Colley Whisson's scenes come to life
Peaceful Places
Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes
School's in Session
A look at some of the many in-person and online art classes and workshops available today
Collaborative Environment
In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more
Flying COLORS
Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more
Keep It REAL
The Art Renewal Center bolsters the support and reverence of traditional representational art
BUILDING AN ART CAREER ONLINE PART I
In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
EDWARD FRAUGHTON
Sculpting the Spirit of the American West
Preserving the Soul of Art
Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.
Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting