One of the basics of my early, shy days was the ecstasy of having art become my best friend. It was something I could relate with— bringing life onto a piece of paper. In drawing I had the confidence I could do something so real, creative, fulfilling. While others were eagerly learning math, chemistry and history, playing on football fields and going to dances, there I was with my pad and paper as happy as a lark. My teachers quite understood me and that in itself is an amazing story I should tell someday. (I’d like to add that a few of those football players and chemists are still my friends to this day.)
But here’s the upshot. It seemed that there were others doing this same thing. Others who loved making images on paper and canvas. And then comes a time when we do connect, this family of artists. In my case it happened in art college. After college, things went wild beyond reason. Art shows with other artists, workshops, art friends traveling and painting the world, being able to get first-class art publications and books, art videos and one of the most amazing things since the wheel: digital. In the next few years will I be “beamed” to Trafalgar Square in seconds? Here’s the question to ask at the next art get-together: “Harley was just wondering, what will ‘art’ be in 30 years? And who decides?”
You, dear reader, you the individual, decide for yourself.
Tools of the Trade
With pencil and pastel, I always lay several sheets of paper under the one where an image is being drawn. That slight softening of the top paper’s surface gives my pencil or pastel more vitality with the paper. Both with the light touch and power strokes.
A kneaded eraser is part of my drawing life. It does more than erase.
Esta historia es de la edición October - December 2019 de International Artist.
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Esta historia es de la edición October - December 2019 de International Artist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within