Oscar-winning screenwriter of 12 Years a Slave and American Crime showrunner, John Ridley reveals what drew him from film to TV and how stand-up comedy prepared him for Hollywood.
After his 2014 Academy Award win, John Ridley took his nuanced, issue-oriented storytelling to network television. Through his production company, International Famous Players Radio Picture Corporation, he writes, produces, and directs the Emmy-winning ABC anthology drama American Crime. In March, the show returned for its third season, tackling the hot-button topic of immigration. That’s just the start: On April 16, Showtime begins airing Guerrilla, a limited series starring Idris Elba and Freida Pinto that Ridley wrote, produced, and directed. His documentary, Let It Fall, about the 1992 Rodney King riots in Los Angeles, will debut on ABC on April 28.
You’ve had great success in movies. How did you end up going all in on television? I’ll tell you something, [before winning the Academy Award] I was reaching a place in my career where I was not very happy with the types of projects coming to me. It’s not as though the things I do [generate] an enormous box office. But I’d done interesting things—like U Turn, Undercover Brother, Three Kings—that have cult followings. Then around 2007, [the industry] went off the financial cliff, and Hollywood cut back on deals. It was all about the franchises. Studios weren’t betting on the more issue-oriented films.
Esta historia es de la edición May 2017 de Fast Company.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición May 2017 de Fast Company.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
THE NEW RULES OF BUSINESS TRAVEL
In the era of hybrid teams, everyone is a road warrior-not just sales teams and C-suite execs. It's part of why business travel spending is expected to finally reach, and perhaps surpass, pre-pandemic levels by the end of the year, according to Deloitte. But, as with everything, work trips are not what they were in 2019. From airlines to banks, companies are finding new ways to make business travel easier-and even a little fun.
INTELLIGENT IMPACT
BUSINESS LUMINARIES SHARE HOW AI CAN INTERSECT WITH SOCIAL MISSION.
REDDIT'S REVENGE
IN AN ERA OF AI UPHEAVAL. THE CACOPHONOUS SOCIAL HUB EMERGES AS THE HUMAN-DRIVEN INTERNET'S LAST GREAT HOPE.
SO MANY WAYS TO LOSE
In the Ozempic era, Weight-Watchers is remaking itself to be something for everyone meal-plan program and a tele-health prescription service. But have consumers already lost their appetite?
10/10 - THE 10 MOST INNOVATIVE PEOPLE OF THE LAST 10 YEARS
In honor of Fast Company's 10th Innovation Festival in September, we identified 10 industrious leaders whose groundbreaking efforts defined the past decade in business. We spoke to them about their extraordinary achievements in tech, medicine, entertainment, and more. And we explored how the impact of their work has withstood passing fads, various presidential administrations, a pandemic, and many, many quarterly reports.
The Mysterious Reappearance of the Reggie Bar
How a beloved 1970s candy got called back up to the major leagues.
Gabriella Khalil
Gabriella Khalil, creative director, answers our career questionnaire.
The Fast and the Furious
High prices at McDonald's, Taco Bell, and other chains are sparking consumer revolt.
Lost in Truncation
Lost in Truncation Generative AI was supposed to unleash our creativity. Instead, it became our cultural trash compactor. Welcome to the age of summarization.
Campus Radicals
Welcome to UATX, Austin's new well-funded and controversial anti-woke university.