The Fire And The Phoenix
Forbes Africa|May 2018

Handbag designer Adrian Furstenburg’s worst nightmare came true one cold winter morning when his studio was covered in soot and his business razed to the ground.

Melitta Ngalonkulu
The Fire And The Phoenix

Don’t be fooled by his smart demeanour and designer clothes; beneath this exterior is a story of depression and despair.

On a rainy autumn morning in Johannesburg in March, we meet Adrian Furstenburg in the small affluent suburb of Parkhurst.

Ironically, he is dressed in black – a symbol of grief – to recount the day when his design studio, including stock and equipment worth R70,000 ($5,800), burned and was razed to the ground.

“The damage was so painfully clear in the bright, winter morning light,” says Furstenburg.

To get to this story, it is important to start from the beginning.

Furstenburg was only four years old when he first said he wanted to become a fashion designer.

“I was at my granny’s house and we were watching a fashion show on television, and as we were watching, that is when I decided that this was what I wanted to do with my life,” says Furstenburg.

However, his father, a farmer, had, other plans – he wanted his son to pursue law.

Somehow, Furstenburg found a way to persuade his father to allow him to enter a career not so distant from the fashion industry.

“It was the early 2000s and it was pretty cool to study graphic designing, so [his father] said ‘that’s okay, I will pay for you to study graphic designing’,” says Furstenburg.

In his last year at college, he specialized in textile design, which led to him developing a career as a handbag designer.

“I think that is one of the wisest decisions that I have ever made, there are definitely no regrets,” says Furstenburg today.

As part of a college assignment, he was required to do a practical project.

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