Beats Generation
The New Yorker|September 24, 2018

The Nigerian musicians who are changing the sound of global pop.

Kelefa Sanneh
Beats Generation

Nearly two decades ago, in 2000, a CD called “Body & Soul: The Beginning” showed up in the markets of Lagos, Nigeria— an album that quickly became a regional hit, and, more gradually, helped spark a musical movement that has changed the sound of global pop. It was the work of Plantashun Boiz, a young trio that might accurately have been described as a boy band. The members— known as Tuface, BlackFace, and Faze—sometimes performed in matching outfits and often sang in matching voices, delivering plaintive, briskly syncopated love songs that bore traces of R. Kelly and Destiny’s Child. Careful listeners heard something else, too: a declaration of local pride. “Ememma,” one of the most popular tracks, captured the emergence of a hybrid new form of R. & B., propelled by a loping kick-drum beat and slippery verses delivered in Idoma, Tuface’s native language.

Esta historia es de la edición September 24, 2018 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición September 24, 2018 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE THE NEW YORKERVer todo
YULE RULES
The New Yorker

YULE RULES

“Christmas Eve in Miller’s Point.”

time-read
6 minutos  |
November 18, 2024
COLLISION COURSE
The New Yorker

COLLISION COURSE

In Devika Rege’ first novel, India enters a troubling new era.

time-read
8 minutos  |
November 18, 2024
NEW CHAPTER
The New Yorker

NEW CHAPTER

Is the twentieth-century novel a genre unto itself?

time-read
10+ minutos  |
November 18, 2024
STUCK ON YOU
The New Yorker

STUCK ON YOU

Pain and pleasure at a tattoo convention.

time-read
10+ minutos  |
November 18, 2024
HEAVY SNOW HAN KANG
The New Yorker

HEAVY SNOW HAN KANG

Kyungha-ya. That was the entirety of Inseon’s message: my name.

time-read
10+ minutos  |
November 18, 2024
REPRISE
The New Yorker

REPRISE

Reckoning with Donald Trump's return to power.

time-read
10 minutos  |
November 18, 2024
WHAT'S YOUR PARENTING-FAILURE STYLE?
The New Yorker

WHAT'S YOUR PARENTING-FAILURE STYLE?

Whether you’re horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face it: you’re flailing in the vast chasm of your child’s relentless needs.

time-read
2 minutos  |
November 18, 2024
COLOR INSTINCT
The New Yorker

COLOR INSTINCT

Jadé Fadojutimi, a British painter, sees the world through a prism.

time-read
10+ minutos  |
November 18, 2024
THE FAMILY PLAN
The New Yorker

THE FAMILY PLAN

The pro-life movement’ new playbook.

time-read
10+ minutos  |
November 18, 2024
President for Sale - A survey of today's political ads.
The New Yorker

President for Sale - A survey of today's political ads.

On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.

time-read
8 minutos  |
November 11, 2024