Gold Standards
The Walrus|May 2019

It’s been one year since Tessa Virtue became the most famous figure skater in the world. How do you move on from being the best?

Genna Buck
Gold Standards

Tessa Virtue seems frozen in time. Forever twenty-eight, forever dressed as the fated seductress Satine from Baz Luhrmann’s Moulin Rouge! in a sparkling, backless, slit-to-the-hip burgundy dress. Her legs are perpetually wound around skating partner Scott Moir’s thigh, or his hips, or, famously, his face, in the practically pornographic lift she says they learned from an acrobat. Photos from the day Virtue and Moir won gold for Canada in ice dance illustrate nearly every news and non-news story about the pair since then, of which there are so many that superfans call discovering the cache of content “falling down the rabbit hole.”

Even now, video of their victory at the 2018 Winter Olympics in Pyeongchang, South Korea — their final Olympic Games — is still being watched and shared online. There she is: trembling down to her skates, smile splitting her face in half, hands coming up to cover her mouth. He roars and scoops her up, lifts her high, buries his face in her neck. Minutes later, they snagged their second gold medal of the Games, the first being for the team event, becoming the most decorated Olympic figure skaters of all time.

Esta historia es de la edición May 2019 de The Walrus.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición May 2019 de The Walrus.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE THE WALRUSVer todo
MY GUILTY PLEASURE
The Walrus

MY GUILTY PLEASURE

I WAS AS SURPRISED as anyone when I became obsessed with comics again last year, at the advanced age of forty-five. As a kid, I loved reading G.I. Joe and The Amazing Spider-Man.

time-read
3 minutos  |
July/August 2024
The Upside-Down Book
The Walrus

The Upside-Down Book

In her new novel, Rachel Cusk makes the case for becoming a stranger to yourself

time-read
7 minutos  |
July/August 2024
Pick a Colour
The Walrus

Pick a Colour

BACK HERE, I can hear a group of women trickle in. Filling the floor with giggles and voices.

time-read
10+ minutos  |
July/August 2024
Quebec's Crushing Immigration Policy
The Walrus

Quebec's Crushing Immigration Policy

Familial separation can have devastating consequences on mental health and productivity

time-read
6 minutos  |
July/August 2024
The Briefcase
The Walrus

The Briefcase

What I learned about being a writer from trying to finish a dead man's book

time-read
10+ minutos  |
July/August 2024
In the Footsteps of Migrants Who Never Made It
The Walrus

In the Footsteps of Migrants Who Never Made It

Thousands have died trying to cross into the US from Mexico. Each year, activists follow their harrowing trek

time-read
10+ minutos  |
July/August 2024
Blood Language
The Walrus

Blood Language

Menstruation ties us to the land in ways we've all but forgotten

time-read
10+ minutos  |
July/August 2024
Dream Machines
The Walrus

Dream Machines

The real threat with artificial intelligence is that we'll fall prey to its hype

time-read
10 minutos  |
July/August 2024
Invisible Lives
The Walrus

Invisible Lives

Without immigration status, Canada's undocumented youth stay in the shadows

time-read
3 minutos  |
JanFeb 2024
My Guilty Pleasure
The Walrus

My Guilty Pleasure

"The late nights are mine alone, and I'll spend them however I damn well please"

time-read
3 minutos  |
JanFeb 2024