Pigs symbolize indulgence, lust and satiety in leisure. The image of a pig can be used as a symbol of financial wellness. In addition, the pig head is also an important part of a tray of offerings in the ceremonial rites of the Vietnamese people.
In Oriental culture, the pig is the last one among the 12 zodiac animals, and also the last one among the six domesticated animals.
In the science of Yin and Yang, the pig’s sign is Yin, so its character is temperate and mild. Pigs reproduce at a high rate, hence their image is popularly used in folk art to symbolize fertility, good luck, and a happy family with a multitude of descendants, especially in Dong Ho paintings, highly in demand during the New Year.
In real life, pigs may be small and skinny. But in the Dong Ho paintings, they are all plump with a wide mouth, the unmistakable characteristics of a good breed of pigs that eat well and grow very fast.
Esta historia es de la edición Vietnam Heritage - December 2018 - January 2019 de Vietnam Heritage.
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Esta historia es de la edición Vietnam Heritage - December 2018 - January 2019 de Vietnam Heritage.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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TYPICAL TRADE VILLAGES GOING “EXTINCT”?
Ha Thai Village of Thuong Tin District of Hanoi started its traditional paint trade in the 17th century. In the 30s of last century, the paint village of Ha Thai learned polishing techniques and the use of materials such as egg shell and snail. It was during this time that elder Dinh Van Thanh of Thai Ha Village was invited to an exposition in France to demonstrate the art of lacquer painting.
Tourism remains far away from Hue village's reach
Villagers in the 550-year-old Phuoc Tich Village on the outskirts of former imperial Hue City have dreamed of bumper tourism in the village for 10 years, but their dreams have yet to come to fruition.
Traditional wedding of the White Yao people
Having a son coming of age, a White Yao family begins selecting a wife for him among the White Yao young girls in the same hamlet or one nearby.
Xin Man at a glance
In April, the last fiery flowers of the cotton trees spark on mountain slopes. With the long-brewing desire inside to conquer the scenic tourist path from Bac Ha (Lao Cai) to Xin Man, the most desolate highland district of Ha Giang Province, we hit the road on a beautiful weekend.
Silver carving by Po Ho Creek
Following the tunes (“Spring comes to Muong Hum hamlet high up the mountains with heart-rocking distant singing…” ) of talented composer Nguyen Tai Tue, we come to Seo Po Ho hamlet to visit Red Yao artisans diligently blowing life into silver, creating wonders of sophisticated craftsmanship, worthily contributing to the cultural traditions of their tribe.
The fabulous Phu Tho tea hills
Today’s Phu Tho Province was the land chosen by Hung Kings, the first rulers of Vietnam, to be their capital. Considered the cradle of the Viet people, this area still preserves the temples of Hung Kings and many other historical relics such as pagodas and shrines.
Bridges that distill the love of the native land
Every Vietnamese has a bridge to be nostalgic about.
EXPLORING PU MAT CONSERVATION ZONE
Pu Mat National Park belongs to Nghe An Province. At 93,113 ha, it is the only remaining primeval forest in Northern Vietnam.
Cultural touches grieve locals of the royal city
Culture has served as the most sensitive part to Hue natives and they are always ready to fight for the cultural values that have existed in a long period of time in this former imperial capital city.
A DIVINE FLAGPOLE OF THE VIETNAMESE
Lung Cu Peak of Dragon Mountain, rises 1470m above sea level and belongs to Lung Cu Commune, Dong Van District, Ha Giang Province. Sharing a border with China, this mountain has witnessed the long history of the Vietnamese fighting against foreign aggressors. That is why Lung Cu is considered a sacred place of the Vietnamese people.
