This new flagship processor joins the previously released AVM 70 (HCC #326), and a trio of AV receivers: the MRX 1140; the mid-range MRX 740 (HCC #321); and the entry-level MRX 540. While the receivers have their own built-in grunt, the processors can be partnered with Anthem's matching power amps: the two-channel MCA 225, the three-channel MCA 325, and the five-channel MCA 525.
No stone left unturned
Now, the AVM 90's asking price is admittedly a sizable chunk of cheddar, but backing it up is an uncompromising approach, with a discrete 15.4-channel experience - Dolby Atmos, DTS:X, and IMAX Enhanced - on the menu.
At this point you might be thinking, should I instead look to the AVM 70 and save myself three grand? Well you could, but there are a number of important differences between these two models.
First of all, while both support the main object-based audio formats, the AVM 90 decodes and processes them using a total of 19 channels with four independent subwoofers. If that sounds like overkill, I'll explain why four subs are a useful addition later in the review. But basically, it means you can run a fully discrete and insanely immersive 9.4.6-channel system.
The AVM 90 also features a comprehensively overhauled interior, and one that Anthem believes represents the 'culmination of everything we know'. A new 32-bit/768kHz ESS Sabre DAC stage applies conversion to all 19 channels, while an 'oversized, high-efficiency toroidal power supply is employed to help isolate 'high power signals' from the critical audio circuits.
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