But it’s not as easy, not as glib, to recognize the reality. Mary Higgins Clark personified her own heroines. Through incredible adversity, she persevered, fought her personal battles, and flourished. And triumphed. From a working mom typing at the kitchen table at the crack of dawn, she became a relentlessly hardworking, infinitely wise, and incredibly savvy career author. She knew what her readers craved, and she—with skill and exquisite talent—offered it to them with her unending grace and shared enthusiasm.
There is not one of us who doesn’t remember where we met her. I first saw her from afar at Malice Domestic, at a table in front of a line to sign her book so long that it doubled back again and again with a chain of readers who would have happily stayed there waiting even longer than they did. It felt as if we were getting an audience with royalty. And actually, we were.
Simon and Schuster, her only publisher for her 56 books, was so protective of her legacy that almost 20 years ago they established the Mary Higgins Clark Award, to be given each year to a book “most closely written” in the Mary Higgins Clark traditions: no graphic sex or violence or “strong” four-letter words, and starring a “nice” young woman who is not looking for trouble, and who solves her problems via her intelligence.
Was she our muse? Our teacher? Our spirit guide? A whole lineage of authors grew from that legacy. A few friends and colleagues gathered together to talk about Mary’s influence. Some were nominated multiple times for the Mary Higgins Clark Award; several won it, and Carol Goodman won twice—including this year.
Hank Phillippi Ryan: When you sit down to write a new book, is Mary Higgins Clark in your consciousness?
Esta historia es de la edición Fall #165, 2020 de Mystery Scene.
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Esta historia es de la edición Fall #165, 2020 de Mystery Scene.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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6 New Writers to Watch
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ANN CLEEVES
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CARLENE O'CONNOR
“Anyone can play Snow White. It takes real talent to play the Wicked Witch.”
Mystery Scene MISCELLANY
FIRST USE OF FINGERPRINTS
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LAIDLAW'S LEGACY
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HILARY DAVIDSON
Call it The Case of Life Imitating Art.
Thomas Walsh - The Unusual Suspect
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S.A. COSBY
In Razorblade Tears, two aging men—one Black, one white, both with criminal pasts—join forces to seek revenge for the murders of their gay sons. The themes of fathers and sons and toxic masculinity will be familar to fans of Cosby’s 2020 breakout Blacktop Wasteland.
VIPER'S NEST OF LIES
A slip of the tongue is a dangerous thing. Not only does it expose indiscretions, it also can lead to murder. The latter especially applies to me.
