“The three of us sat down, and I don’t remember it being tortuous in any way,” Berman recalls. “We were given some time to come up with the premise. With Next Generation off the air, it gave us an opportunity to create a new starship and crew. Voyager was done back in the day when you would create a premise, create characters, and then start writing. We had some general ideas of where we wanted everything to go, but we hadn’t developed multi-seasonal arcs at all.”
Voyager brought together two disparate crews, from Starfleet and the Maquis, and forced them to gel as the USS Voyager warped her way home from deep in the Delta Quadrant. During the seven-year journey, Captain Janeway and her crew explored strange new worlds and sought out new life and new civilisations. Fans embraced most of the characters – particularly Janeway and The Doctor – but by season three, the powers-that-be informed Berman that the Kes/Neelix coupling concerned them.
“Michael, Jeri and I analysed it, and we realised that Kes just wasn’t clicking,” Berman says. “It was a shame, because Jennifer Lien was very talented and it was sad to see her go. The studio felt pretty strongly – we didn’t really disagree.
“We’d wanted to put a little sex appeal into the show and, simultaneously, we’d been thinking about a character who’d been assimilated by the Borg and was rescued, so we could have a partial Borg character on board. That it’d be a beautiful female… I don’t know whose idea that was, but that was the direction we went.”
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Esta historia es de la edición March 2020 de SFX.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS