LOOKING BACK, 1993 WAS AN auspicious time for the launch of a new sci-fi underwater adventure show on the small screen. Star Trek: The Next Generation was a year away from ending its seven-year stretch, and with Superman dominating the airways with Lois & Clark, what better place to venture than the ocean? Spearheaded by Steven Spielberg’s Amblin Television, SeaQuest DSV was the deep’s answer to the Enterprise.
“After Amazing Stories, Amblin was looking to do their version of ‘Star Trek underwater’ – where instead of outer space it would be set in the oceans of the Earth,” SeaQuest and Farscape creator Rockne S O’Bannon tells SFX. “Star Trek announced it took place in ‘Space: the final frontier’. But with SeaQuest we were looking to explore the final frontier here on Earth – making it, we hoped, very identifiable.”
A SEAWORTHY ENTERPRISE
As opposed to the post-apocalyptic future that Amblin had originally envisioned, O’Bannon proposed a more optimistic scenario and one that didn’t take place generations into the future. “They were talking about perhaps setting it in a future where we’d polluted our planet enough that humanity had retreated into the oceans,” continues O’Bannon.
“I suggested something that didn’t take place 500 years into the future like Star Trek but only 25 years, where we’d gone into the ocean not because we’d polluted our continents so badly, but because we’d developed the technology to allow us to explore and colonise. Steven loved the positive message of that and thought it was much more accessible to our viewers.”
Esta historia es de la edición April 2022 de SFX.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición April 2022 de SFX.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS