WHEN EFFECTS SUPERVISOR turned director Oliver Milburn first envisioned School’s Out Forever as a film, his ambition was to make “Mad Max in the home counties”: a muscular, action-driven post-apocalyptic tale about a bunch of school kids in a world ravaged by an epidemic. Ten years on, he found himself putting the finishing touches to the movie during the Covid-19 enforced lockdown, while fretting about the irony.
“I hope that it’s not seen as piggy-backing,” he tells Red Alert just before Christmas. The film is due for release in February, when it’s clear that the world will still be deep in the battle against the coronavirus. “And I hope that no one is offended by our use of a virus when people have tragically lost family members. But it is a complete coincidence and I have sort of gone through an almost complete cycle with it. Some days I’m like, ‘Oh, this is such a great coincidence’ and other days I think, ‘God, this is Sod’s Law!’”
In fact, when the first UK lockdown went into force in spring last year, Milburn was “still completing some of the visual effects shots – which included the shots of people lying dead on deserted roads, and mass graves and things – at a time when the news was saying ‘We’re worried about hospitals hitting capacity’. So it was very eerie.”
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS