Brought up in a musical household, with a jazz drummer for a father and a jazz singer for a mother, the rapidly rising young Londoner specialises in combining accessible songcraft with wicked jazz-infused guitar chops as she deftly blurs the boundaries between rock, alt-pop, neo-soul, new-school jazz and folk.
Having first picked up a guitar at a very young age, Rosie possesses an innate kind of connection to her instrument that often manifests itself as a tendency to sing or scat along in unison with the improvised melodies that come flowing out of her fingertips. A technique originally born out of necessity (she used to need to hum lines aloud in order to find them on the fretboard), it's developed into a trademark style that never fails to turn heads - even winning her a high-profile fan in the form of Jimmy Page, who once caught a solo performance of Rosie's at The Troubadour and felt compelled to personally congratulate her on her impressive skills.
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Esta historia es de la edición February 2024 de Total Guitar.
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\"I was using what was really meaty!\"
EDDIE VAN HALEN
“You either capture the vibe or you don't!”
MYTH BUSTERS: THE CABLE DESTRUCTION TEST
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JOHN FRUSCIANTE'S LETTER FROM AMERICA
Our July 2006 issue featured none other than John Frusciante of the Red Hot Chili Peppers on the cover, with a line of text promising discussion of meditation, drugs, Hendrix and some chat about the band’s then-latest album, Stadium Arcadium.
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Ata time when TC's staff were getting, frankly, rather silly, one man stood up to take on the daftest of all our challenges...