Consider Hollywood’s everyman. Jimmy Stewart was once the archetype; an actor whose open face and Pennsylvania drawl suggested a deep humility, morality, Presbyterianism. Jump ahead a generation, and the likes of Dustin Hoffman, Robert De Niro, and Al Pacino pushed that paradigm in a different direction. They didn’t look like matinee idols, nor did they act much like them; instead, they evoked pure id.
Those guys, plus Sam Rockwell, plus Sean Penn—instinctive actors, their talents nearly uncontrolled—are some of Jeremy Allen White’s favorites: “I like watching something and almost feeling nervous,” he tells me.
White has spoken about watching and rewatching Pacino’s “unstillness” in The Panic in Needle Park as he prepared to play Carmen “Carmy” Berzatto, the painfully tense young chef at the center of FX’s The Bear. A breakout hit last summer, the series’ tautly paced action begins after Carmy, a James Beard Award–winning phenom, returns home to run his family’s flagging sandwich shop, The Original Beef of Chicagoland (known as “The Beef ”), in the wake of his brother’s suicide. Dropped into a quagmire of unpaid bills, and a kitchen staff that doesn’t really trust (or like) him, Carmy wants to burn the whole place down only slightly less than he wants to save it.
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FINAL CUT
\"WE WANT YOU TO GO FOR IT!\" ANNA TOLD ME
SCREEN TIME
Three films we can't wait to see.
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Blossoms Dearie
Dynamic, whimsical florals and the humble backdrops of upstate New York make for a charming study in contrasts.
HOME
Six years ago, Marc Jacobs got a call about a house designed by Frank Lloyd Wright. Making it his own, he writes, would be about love, commitment, anxiety, patience, struggle, and, finally, a kind of hard-fought, hard-won peace.
GIRL, INTERRUPTED
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ROLE PLAY
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BOOK IT
A preview of the best fiction coming
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Three new exhibitions offer an expansive view.