Watching instructional packing videos on YouTube isn’t so much going down a rabbit hole as stalking a forever-looping luggage carousel: utterly mesmerizing, but you’re forever waiting to take something away. It’s entirely possible to learn how to pack for a transcontinental trip with only a carry-on, but there’s always one thing missing: the emotional impulse that drives us to get dressed every day.
That’s why we decided to ask three women—makeup artist Raisa Flowers, stylist Yohana Lebasi, and interior designer CeCe Barfield Thompson— to tell us how they’d go about packing only a Rimowa Original Cabin carry-on in a way that truly reflected their sense of style.
RAISA FLOWERS
Dealing with limited space does and doesn’t phase this makeup artist. “I always overpack, and my suitcase ends up being insane, but I am really good at packing my kit,” she says. “I can condense everything—it’s like playing Tetris.”
Indeed. Flowers reels off the kind of numbers that she’s toting, cosmeticswise, from the likes of Pat McGrath, MAC, or Make Up For Ever: Sixty concealers, 20 cream eye shadows, and numerous palettes—plus three or four sets of brushes, some of which belonged to her mom (the sentimental value means they never go near checked bags). And that’s just a fraction.
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Esta historia es de la edición August 2023 de Vogue US.
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Canvas the City - Martha Diamond captured the brisk energy of Manhattan.
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Off the Beat - Mainly known as a producer, O'Connell Finneas is releasing a new heartfelt LP.
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Are you in pain?” Cadence Dubus, a Brooklyn-based fitness instructor who has developed a program for “fascia release,” asks, sending me spiraling before our session begins. There’s that twinge in my shoulder and the carpal tunnel at night—but aren’t such annoyances simply the conditions of modern life, of getting older? “Some,” I answer, shy to cop to any of it. Dubus then has me walk back and forth, squinting at my gait.
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It was late in the summer in Los Angeles, with all the dry heat and burnished sunlight that implies, and Billie Eilish was sitting in a dark room, busy changing her mind. The singer was halfway through editing the music video she had directed for “Birds of a Feather,” her latest astronomically successful hit song (nearly 1 billion streams) off her latest astronomically successful hit album (nearly 4 billion streams at the time), when she encountered a problem: She realized she hated it. Well, not hated. “I was like, this ain’t it,” she says.
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If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
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A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
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Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
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Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
