Sabato De Sarno does not love having people over to his home. “I never host anyone,” De Sarno, the creative director of Gucci, tells me as we are seated on his living room couch across from his snoozing dapple dachshund, Luce. Colleagues aren’t invited for dinner; his husband lives in Brussels—even his parents don’t get to spend the night. “It’s my place, where I relax,” says De Sarno, a baby-faced 40 with closely cropped hair and beard, as he fidgets with the strings of his vintage Jurassic Park sweatshirt. “Where I disconnect from work.”
The walls of the apartment, on a winding street in the Renaissance quarter of Rome, are decorated with contemporary works by Jannis Kounellis, a Greek artist who scrawled words over his lithographs, and Sidival Fila, a Franciscan friar who paints canvases of sewn fabrics. There are prints of Italian icons, including one of the writer and director Pier Paolo Pasolini. (De Sarno proudly tells me the value of the latter has skyrocketed since his predecessor at Gucci, Alessandro Michele, staged a show of the print ’s photographer, Paolo Di Paolo, at a Rome museum.) Beneath coffered ceilings and atop the room’s minimalist deco furniture rest fertility sculptures from Sardinia, one of which has the deep bordeaux color with which De Sarno is repainting Gucci’s bags and shoes and skirts and jackets. He gave the color, and his first runway collection last September, the name Ancora, which means “again”—in the insatiable sense, he tells me—“of when you kiss someone that you like and you don’t want to stop doing it.” That is his ambition for Gucci, too, he tells me: to imbue it with passion. “I want Gucci to touch people’s hearts,” he says.
Esta historia es de la edición Winter 2024 de Vogue US.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Winter 2024 de Vogue US.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
FINAL CUT
\"WE WANT YOU TO GO FOR IT!\" ANNA TOLD ME
SCREEN TIME
Three films we can't wait to see.
Impossible Beauty
Sometimes, more is more: Surreal lashes and extreme nails put the fierce back in play
Blossoms Dearie
Dynamic, whimsical florals and the humble backdrops of upstate New York make for a charming study in contrasts.
HOME
Six years ago, Marc Jacobs got a call about a house designed by Frank Lloyd Wright. Making it his own, he writes, would be about love, commitment, anxiety, patience, struggle, and, finally, a kind of hard-fought, hard-won peace.
GIRL, INTERRUPTED
Anna Weyant found extraordinary fame as an artist before she had reached her mid-20s. Then came another kind of attention. Dodie Kazanjian meets the painter at the start of a fresh chapter
ROLE PLAY
Kaia Gerber is someone who likes to listen, learn, read books, go to the theater, ask questions, have difficult conversations, act, perform, transform, and stretch herself in everything she does. That she's an object of beauty is almost beside the point.
CALLAS SHEET
Maria Callas's singular voice made her a legend on the stage. In a new film starring Angelina Jolieand on the runwaysthe romance continues.
BOOK IT
A preview of the best fiction coming
GLOBAL VISTAS
Three new exhibitions offer an expansive view.