You might have seen the work of Chilean artist Cecilia Vicuña before. You might have been staggered by its scale, its command of materials, or its ability to envelop space and all who encounter it. But you might not know all that it stands for, or all it took to get here.
Vicuña has the sort of speaking voice that doesn’t demand attention. It’s quiet, dulcet and melodious. What she says, however, warrants undivided attention, an advantage she and her work have long been denied.
For most of Vicuña’s prolific 50-year career as an artist, poet, filmmaker and activist, she has been ignored, censored, marginalised and ridiculed. At her studio, in the Tribeca district of New York, she explains that this alienation has its roots in the West’s ‘mastery’ in denying all that matters to people, the Earth and the future. This, she notes, is not just a story about how the Global North has excluded the South, but how the South has excluded itself by only embracing a Northern mentality. ‘All knowledge that disagrees with the Western system is eliminated, sometimes brutally, like in the current extermination of Indigenous people around the world,’ she explains as a thread of incense billows through the air. ‘The Western mind is not just in Europe and the US, it also operates in the colonies, and I consider Chile, even today, a colonised country where everybody is subjected to a colonisation of the mind, spirit and soul. So how could my work be meaningful under those conditions?’ In light of her potent and steadfast opposition to this oppressive landscape, Vicuña ‘never expected or looked for appreciation or recognition.’
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Esta historia es de la edición August 2022 de Wallpaper.
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Guiding Light - Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
For some of us, family inheritances I tend to be burdensome, taking up space, emotionally and physically, in both our minds and attics. For the London-based designer and architect Joe Armitage, however, a family heirloom has taken him somewhere lighter and brighter, across generations and continents, and into the path of Le Corbusier. This is the story of a lamp designed by Edward Armitage in India 72 years ago, which has today been expanded into a collection of lights by his grandson Joe.
POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
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BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings