Jeremiah Brent was always the coolest dad at nursery drop-off. I have a vision of him, picking up his daughter Poppy while my son Ford looked on balefully. So well dressed, so collected, almost always in white or beige or black in fantastic drapey fabrics. He was ‘quiet luxury’ incarnated before that term became a pop culture phrase.
It was this quality that made me instantly think of hiring him when it came to doing a new office compound for me and my 50-strong employees. Previously, I had done my office on the Fox Studio lot in a sort of Californian earthy aesthetic – all tobacco silk rugs, industrial tables and odd art mixed with vintage Nakashima lamps and artefacts. But this time around, I wanted something new and modern.
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Esta historia es de la edición November 2023 de Wallpaper.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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COOL RUNNINGS
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LIVING COLOUR
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STARS ASCENDING
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SUITE DREAMS
Cathay Pacific’s new aircraft interiors turn the inflight experience into an art form, upgrading the business-class cabin for the next generation of flyers
Brutal harmony
The Escheresque Italian villa designed by Fausto Bontempi for sculptor Claudio Caffetto
LOCAL HERO
London studio Holloway Li’s recent makeover of Polish hotel Puro Poznan is right up our street
STAR TURNS
An exhibition at Louvre Abu Dhabi unveils the stellar shortlist for this year's Richard Mille Art Prize
SCREEN GEM
A multifaceted residence in Beverly Hills puts the beauty of potentiality in the frame
SOFT SPOT
We've taken a shine to Bottega Veneta's collaboration with Flos on a special edition of a Gino Sarfatti lamp
Between the lines
Frequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form