In 1998, when Petrit Halilaj was 11, Serbian troops swept through his native Kosovo and forced him and his family to flee into nearby Albania. Destruction, displacement and loss came to define his youth, and eventually shaped his career as an artist. Now one of the foremost cultural figures to have emerged from his young homeland, he has explored these themes with poignant urgency. At the 2010 Berlin Biennale, he reconstructed the scaffolding of his family home, burned down in the village of Kostërc during the war, and later rebuilt in the capital city of Pristina; and let loose a flock of live chickens as symbols of rural life and recovered freedom. He subsequently meditated on migration and integration through large-scale recreations of the jewellery that his mother had buried in the soil as they prepared to escape, and by filling an Art Basel booth in 2011 with the same soil.
Contemplating wider themes of nationhood, he created a giant bird’s nest out of Kosovan soil and twigs for the country’s first pavilion at the Venice Biennale two years later and then resurrected specimens from the vanished Natural History Museum of Pristina for a solo show at the Wiels Contemporary Art Centre in Brussels. Adding to this more recent projects such as Ru, 2017, inspired by Neolithic artefacts from the town of Runik that wound up in Serbian hands; and Shkrepëtima, 2018, a performance presenting the collective memories of Runik’s citizens; and Halilaj’s ability to give widely resonant form to his personal histories becomes abundantly clear.
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Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage, as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.
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Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
