In this excerpted interview from Grand Tour: The Worldly Projects of Studio Peregalli, a book that showcases the work of Laura Sartori Rimini and Roberto Peregalli, American artist couple Rachel Feinstein and John Currin and English fashion guru Hamish Bowles dissect their common experience of having a home designed by the influential Milan studio
HAMISH BOWLES: What drew you to the original house?
RACHEL FEINSTEIN: It was a folly; the whole thing is an interpretation of an old style, which is what our art is completely about. Each house that the architect Frederick Sterner did on this street is a different folly. They were all multiple family row houses—this was not a fancy neighbourhood in 1901, when he started. Sterner came from England, he was young and he wanted to make a name for himself so he personally bought up all these houses and gave each one a different look. He brought uptown people to this area because of the street and that’s why it’s called the “Block Beautiful”. A historian who was studying Sterner came to visit and told us that it was the most intact and original of all the architect’s projects and begged us not to touch it—and we had every intention of preserving it. Then unfortunately Hurricane Irene came along and we had a torrential leak that destroyed the plaster ceilings all the way through the house. So that’s when our friend Tobias Meyer suggested Studio Peregalli.
HB: What convinced you that Laura [Sartori Rimini] and Roberto [Peregalli] were the right architects for the project?
RF: They were already here in New York—doing your apartment. We went over to see your place and we loved it. I mean, obviously everything was exactly what we liked. The thing that struck us so much was the secret door that they had built, where you had to have the wheelchair access to meet the code.
HB: The original door in the 18th-century French panelling that they had adapted and installed was not wide enough to allow for wheelchair access, so they created a wide jib door that appears to cut into the wallpaper and panelling—a clever trick of the eye.
Esta historia es de la edición December 2018 de AD Architectural Digest India.
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Esta historia es de la edición December 2018 de AD Architectural Digest India.
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BANYAN TREE VEYA, IN MEXICO'S VALLE DE GUADALUPE, IS A NEW WELLNESS RESORT THAT LOOKS TO THE LAND.
A two-hour drive south from San Diego, the Mexican wine region of Valle de Guadalupe-dotted with fertile vineyards and family farms-has remained mostly under the radar, even to food-obsessed Americans.
DESIGNED IN 1988 BY RENOWNED LANDSCAPIST MADE WIJAYA, THE GROUNDS AT AMANDARI IN UBUD, BALI, FOREGO MANICURED LAWNS FOR AN ABUNDANT NATIVE PARADISE.
Coconut palms and banyan trees in sizzling jungle greens, cascades of bougainvillea and the scent of frangipani in the air—a tropical explosion of foliage that would have led Monet to abandon Giverny.
BANGALORE CLUB'S MAIN LAWNS, WITH A MAGNIFICENT RAIN TREE, GET A NEW UMBRELLA BAR AND COLONNADE BY AD100 ARCHITECTS SANDEEP KHOSLA AND AMARESH ANAND.
Time appears to come to a standstill when one enters the Bangalore Club.
FROM HER STUDIO IN LLOYD WRIGHT'S 1927 HOME, DESIGNER VICKI VON HOLZHAUSEN IS REFINING THE SCIENCE OF HIGHPERFORMANCE, PLANT-BASED MATERIALS.
It seems not only fitting but poetic that Los Angeles-based designer and eco-preneur Vicki von Holzhausen chose architect Lloyd Wright's own 1927 studio and residence as the symbolic headquarters of her namesake company, von Holzhausen, a pioneer in the development of high-performance plantbased materials.
IN THE LADAKHI HAMLET OF TURTUK, A KITCHEN GARDEN SUPPLIES FRESH PRODUCE TO THE BALTI KITCHEN OF BOUTIQUE HOTEL VIRSA.
To get to the most exquisite yet humble meal of your life, you'll have to take a six-hour drive from Leh and reach Turtuk, one of the only four Balti villages that fall on the Indian side of the border.
MAKAIBARI'S NEW EXPERIENTIAL STORE IN KOLKATA IS DESIGNED TO EVOKE A TEA PLANTER'S BUNGALOW.
Smell the tea, feel the carpets, enjoy the space”—such is the invitation from Rudra Chatterjee, chairman of Obeetee and managing director of Luxmi Tea Group, at the launch of fine tea brand Makaibari’s experiential store in October, at the Taj Bengal in Kolkata.
ARTS OF HINDOSTAN PIECES TOGETHER A SHORT HISTORY OF THE MUGHAL FLOWER-FROM ITS ORIGIN IN ATELIERS IN MEDIEVAL INDIA TO ITS UBIQUITY ACROSS TIME.
The Mughal emperor Jahangir was famously enraptured by the beauty of flowering plants that he saw on his visit to Kashmir in the spring of 1620.
A FURNITURE-ARTWORK PAIRING COMES TOGETHER AS PAOLA LENTI'S CAMPANA BROTHERSDESIGNED BENCH IS REIMAGINED TO MATCH ARTIST HUGO YOSHIKAWA'S PLAYFUL STYLE.
Vegetation has been the central subject matter of many Hugo Yoshikawa artworks for the past few years.
FROM SCULPTURES TO JEWELLERY, ARTIST LYNDA BENGLIS'S DESIGNS FOR LOEWE FEATURED IN THE BANCA MARCH GARDEN IN MADRID EARLIER THIS YEAR.
This spring, when the gates of the private Banca March Garden in Madrid's Salamanca neighbourhood opened to the public, visitors could experience four monumental fountains, emerging from the ground and soaring towards the sky.
FERNS AND FLOWERS BLOOM ON TOD'S BAGS AND SHOES, A SPECIAL LINE DESIGNED BY RAHUL MISHRA― NATURE BEING HIS CONSTANT MUSE.
India was once called “sone ki chidiya” (golden bird) for its abundance of resources, wealth and prosperity.
