Interior designer April Jensen lives in a 150-year-old home in Glendale, a white Federal farmhouse with elegant Italianate details set at the end of a long driveway. Its rambling beauty is made for the movies: four terraces, a wide front porch with a haint-blue ceiling, and the original red barn— now a pool house—in the backyard.
Five years ago—on the day she and her husband, Jason; their children, Lily, Julien, and Tallulah; and a gaggle of dogs moved in—the pipes burst in their youngest daughter’s bathroom, sending a torrent of water from the second floor through the built-in bookcases in Jason’s office below and on into the basement. “‘Well, that sucks,’” Jensen says, recalling the couple’s initial reaction.
But the family was too excited about living in the house to let one bout of bad luck ruin their day. Instead, they turned the experience into an opportunity to renovate: updating the lighting, adding a new thermostat and audiovisual system, and painting the whole house white, helping highlight its fine details and original woodwork. “I’m calm under pressure,” Jensen says. “When it’s over I’ll typically fall apart,” she adds, laughing, “but then it passes. Life is short.”
Esta historia es de la edición September/October 2019 de DesignSTL.
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Esta historia es de la edición September/October 2019 de DesignSTL.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
Color Block
A background in sculpture trained artist Aly Ytterberg to see objects more fully.
A Modern Story
How a little log cabin went from being a home to a guest house
IN GOOD TIME
With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
Let's Dish
"Food Raconteur” Ashok Nageshwaran wants to tell you a story.
The Right Move
New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
Green Dreams
Painter and gardener Lauren Knight branches out.
Cultivating Kokedama
Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
Graphic Mood
Letters, icons, and illustrations that speak in a hand-drawn language
AUDRA's New Digs
Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.
