Good Spirit
Baltimore magazine|February 2021
Chelsea Gregoire’s approach to hospitality finds its roots in religion.
Jane Marion
Good Spirit

Chelsea Gregoire is giving a Zoom tour of their apartment in Hampden’s Whitehall Mill, where the vast collection of books they share with their artist wife, Shandi Chester, is organized by the color of the books’ spines. The blue books alone show the range of the collection. “We have The Basics of Biblical Greek,” says the 30-year-old, who uses “they/them” pronouns and identifies as queer. “We have What If?, which are critical-thinking exercises for philosophy. We have Setting the Table by Danny Meyer. We have a book about Madeira, Grief Observed by C.S. Lewis (“I read this four-chapter beauty every time I go through something difficult.”), and The Sick Rose, which is a book about medical illustrations.”

If one’s bookshelf can be considered an autobiography of sorts, Gregoire’s volumes speak volumes. In this case, Gregoire’s varied book collection serves as a sort of metaphor for the acclaimed beverage director’s mission of inclusiveness, diversity, and making everyone feel at home, including their coworkers, such as NiHao bar manager Ashley McMichael, who previously worked with Gregoire at True Chesapeake Oyster Co.

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Esta historia es de la edición February 2021 de Baltimore magazine.

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